This illuminating documentary explores the life of a unique American artist, a man with a remarkable and unlikely biography. Bill Traylor was born into slavery in 1853 on a cotton plantation in rural Alabama. After the Civil War, Traylor continued to farm the land as a sharecropper until the late 1920s. Aging and alone, he moved to Montgomery and worked odd jobs in the thriving segregated black neighborhood. A decade later, in his late 80s, Traylor became homeless and started to draw and paint, both memories from plantation days and scenes of a radically changing urban culture. He made well over a thousand drawings and paintings between 1939-1942. This colorful, strikingly modernist work eventually led him to be recognized as one of America’s greatest self-taught artists and the subject of a Smithsonian retrospective.
Every time a new technology emerged, it changed our lives and our society. Today, this development is going faster than ever before. At the same time, the crises seem to be piling up on our only planet. What should we do? A group of the world’s leading scientists take up the fight and isolate themselves for ten days in a secluded spot in the desert of New Mexico to develop real solutions for today’s most urgent problems - and there is plenty to choose from. They come from all scientific disciplines and represent the environment, the economy, democracy, social media, education and artificial technologies. In just ten days, they want to start a movement with an ambitious goal: to secure the future of humanity through science, both in theory and in practice. Pernille Rose Grønkjær was given exclusive access to the ambitious think tank during the entire event last year.
In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?
A series of lyrical vignettes illuminates the stories of Maine's seafolk, those whose lives and livelihoods are inextricably connected to the ocean. This atmospheric film shows the beauty, intimacy, and uncertainty that coastal dwellers face in rooting their lives in the ocean, particularly as human actions — from overfishing, to aquaculture, to warming seas — confront Maine and its people with profound change.
AI already plays a major role in the developed world, from transportation logistics to national security—but this is just the beginning. From Ireland’s "smart cities" in the European Silicon Valley to China’s dystopian Social Credit System, this film explores the vast potential unlocked by the world’s leading data experts.
As the U.S. approaches a century since entering World War I, director Sean Stone asks, “What happened to the American Century? What happened to America’s ideal of progress?”
Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.
Reyboy's world is the sparkling ocean, the hidden treasures on the long coast, the taste of honey rice. The filmmaker accompanies the Filipino boy in his fishing village by the sea as his life is about to change forever.
In rural North Korea, a film crew follows a small group of international volunteers fighting the spread of Multidrug-resistant tuberculosis. Working with North Korean medics, the volunteers venture deep into the world’s most secretive nation, overcoming cultural and political hurdles to save lives.
In 2011, Pocomoke City a small town on Maryland's Lower Eastern Shore hired Kelvin Sewell, its first African-American police chief. Sewell, a former Baltimore city homicide investigator and narcotics officer had grown tired of the aggressive tactics used by the Baltimore Police Department...particularly those targeting black communities. Determined to deploy a different approach to law enforcement, Sewell implemented an intensive community policing plan. He and his officers parked their cars and walked the streets. Sewell's system worked: crime plummeted. Residents both black and white became ardent supporters of Sewell's new paradigm of policing. But a conflict was brewing; an ongoing dispute over racial discrimination engulfed Sewell and his officers in a battle that would not only cost them their jobs and professional reputations, but would thrust them into an emotional legal battle that would touch all segments of the community.
When Renny Yater and George Greenough made surfboards for one of the best waves on earth, they helped kickstart a revolution and influence generations of surfers and shapers.
The rubber met the road in the early 1970s for Bill Costen. After being drafted by the Buffalo Bills, tragedy forces him out of his dream. Saying goodbye to a career on the turf, Bill takes to the air, becoming the first African American Hot-Air Balloon Master Pilot in the world.
An abstract narrative, diary film and travelogue reminiscing on the quotidian. My day to day routines and deviations from it are captured as 6 months pass on the screen in a blur. Musique concrète accompanies the visuals taken from vocal samples of myself as a child and repurposed. Ruminations on nostalgia, film as material and 16mm as a particularly evocative medium with a long history of home movies and nonprofessional filmmaking. The film acts as a document, archiving time and place, as a way for me to recount where and what I did at this point in my life-a point where I still feel an existential drifting and listlessness. Something to look back at and only make sense of after the fact.