"Has anyone ever considered that we're not machines, that we have a soul that can't be destroyed?" Jacqui Zwiren asks her sister Nicole who's filming a documentary about her. Shortly after filming, Jacqui's life was cut short at age 31.
Healing in Timor-Leste is rarely straightforward. Timorese people acknowledge and embrace multiple pathways to healing in a complex interplay between spiritual care, comfort and personal connection. Through lifelong observation and learning, they trial a variety of practices and pass down their knowledge to the next generation. Holding Tightly observes seven approaches to healing in remote, rural and urban parts of the Baucau municipality in the country’s east, spanning contexts and experiences from the armed resistance era to the independence period.
Join the quest with 25 intrepid history students – mostly Mexican American – who drive 2,000 miles from the Alamo in Texas to a Springfield, Illinois museum. Their mission? Asking to repatriate General Santa Anna’s prosthetic leg to Mexico and honor Abraham Lincoln with a Day of the Dead altar.
Children of Deaf Adults, known as CODA, are caught in the middle, between the deaf and the hearing, between isolation and community, and between childhood and adulthood. Through the stories of three CODAs, discover how the unique upbringing of hearing children born to deaf parents can be considered both a burden and an opportunity and how it shapes who they are and who they become. Also hear from the parents themselves about how their condition unwittingly puts an impossible weight of responsibility on their children, who are forced into adulthood from the moment they learn to talk. Mother, Father, Deaf offers a previously unseen portrayal of contemporary reality for deaf families. Their stories, while deeply personal, mirror the experiences of CODAs around the world.
From producers Mark Obenhaus and Elizabeth Leiter, “The Abortion Divide” offers a window into the sometimes difficult and deeply personal choices women face with unplanned pregnancy – and examines the steadfast belief of the anti-abortion community that there should be no choice at all.
Rebellion in God's council. Spirits of dead giants. Rival gods creating chaos. These are the things of myth and fairy tales, right? The Bible tells a different story. In the documentary The Unseen Realm, a light is cast on the strange and enigmatic plane of the supernatural that lies within the pages of Scripture. And what we discover are two distinct worlds—with vastly different inhabitants—created and ruled by one loving triune God. Based on the book by Michael Heiser. Featured exclusively at: faithlifetv.com/the-unseen-realm
Twelve-year-old Frida is almost blind; she can only make out contours, shadows and colors. At the same time, she can "see" much more than other people. She believes that with the energy we all have within us, we can achieve things that we thought were impossible. In Dear Darkness, we see how she puts this into practice. Frida is lovingly encouraged by her parents, whom we see in the background as they invite her to experience a sculpture or go swimming with her. Frida has an entirely unique view of the world, from which she occasionally takes a distance so she can listen, feel and think. To do so she seeks out complete darkness, because only if there are no visual stimuli can she find peace. In this way, she hardly differs from her sighted peers-and this is why part of the film takes place in the dark.
Piers Morgan sits down with Bernard Giles, a convicted serial killer who is willing to admit to his heinous crimes, and asks what motivated the man to commit those brutal acts.
Yuriy Norshteyn, Russia’s most renowned animator, has crafted many brilliant works, including his award-winning Tale of Tales and Hedgehog in the Fog. He is revered by animation creators across the globe, most notably Japanese masters Osamu Tezuka, Hayao Miyazaki and Isao Takahata. Forty years ago, Norshteyn began work on an ambitious adaptation of Nikolai Gogol’s The Overcoat, but after completing 25 minutes of the film, the project stalled and has been shelved for many years. A crew visits Norshteyn’s studio and finds there mountains of sketches, character studies and a shooting table covered with dust. Norshteyn himself talks about its current status and the anguish and passion that has gone into its creation.
We follow New Zealand comedian Al Pitcher's search for what it really means to be big in Sweden. With a road movie and large portion of humor, Al discovers odd landmarks such as the world's largest cheese slicer and a big potato in Mjölby.
A visceral immersion into the most beautiful and violent weather on earth in stunning 4k UHD. The debut feature film from Chad Cowan who shot, directed, and edited StormLapse over the last six years across America's Great Plains, also known as Tornado Alley. This non-narrative documentary in the style of Fricke and Reggio transports the viewer to a front row seat of spectacular supercell thunderstorms and tornadoes.
Discontent, radicalism, and violence permeated the U.S. Northwest in the early decades of the twentieth century. Tens of thousands of workers migrated for jobs in logging, mining, and fishing - where they found poverty-level wages, crushing hours, and dreadful conditions. The conflict becomes part of a decades-long struggle involving tragedies such as the Everett Massacre (1916), the Seattle General Strike (1919), and the Centralia Massacre (1919).
The Sealab project, launched in 1969 off the shore of northern California, was the brainchild of a country doctor turned naval pioneer who dreamed of pushing the limits of ocean exploration like NASA did space exploration. The massive, 300-ton tubular structure was a pressurized underwater habitat, complete with science labs and living quarters for divers who would live and work there on the ocean floor for days or even months at a time. During the height of the Space Race, this daring program also tested the limits of human endurance and revolutionized the way humans explore the ocean.
A shocking and sometimes hilarious portrait of Glenn: a businessman, family man, and pot dealer in Toronto whose world shatters upon the legalization of marijuana.
CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.