Is there a secret program behind the technology of the Space Force? Are Navy Pilots engaging E.T. Craft, or is it one of Ours? Dr. Steven M. Greer reveals the secrets behind the cover-up of the False Narrative Alien Threat. Dr. Michael E. Sallapresents Explosive information in regards to the incredible out of this world technology that has been reversed engineered at a Secret Location in Palmdale CA. Is the New York Times retraction of statements made to "Off World Vehicles recovered Not Of This Earth" An attempt to Cover-Up the biggest Story Known To Mankind? Bob Lazar among others share there Insight to the Most Asked question "Are We Alone" Countdown To Disclosure Opens the Floodgates on information never heard before by the public until now! Buckle Up for a cutting Edge Documentary that will leave you believing we are not been told the truth.
Jan calls himself Buffalo. He loves cowboys, he’s blind, and may lose his hearing. The documentary follows his journey to America to visit the chief of the Navajo tribe, who wants to perform a ritual to help his hearing. The film is full of unpretentious humor thanks to Jan’s charisma. In the USA, he’s like the Don Quixote of the Wild West - a naive adventurer in a world that is much more ordinary than his imagination. This observational, but not standoffish, film is also an example of how the medium of film can relate to blind people by constantly showing the difference between what Jan perceives and what we actually see.
A feminist legend, a May 68 activist, a famous playwright and poet, Hélène Cixous is the vehicle of this road movie. With friends like the philosopher Jacques Derrida, the artist Adel Abdessemed, with Ariane Mnouchkine and her cosmopolitan theatre company, Cixous explores the wounds our time and allows us to ear the cry of literature. The history of dozens of members of her German-Jewish family who were assassinated in the Death Camps, and the trauma of the wars of decolonization are never far, for this major figure who was born in Algeria shortly before the start of the Second World War.
The little man and his crew take the classic formula of skate, fun and filth to new levels of demented chaos. Add in a priest with a penchant for porn, escaped convicts, cracked skating, nude mud wrestling, prolific quantities of poo and a mentally deranged human torpedo and you'll understand why there's no doubt that Wee Man and his crew are going straight to hell. The extreme begins here.
After encountering Bigfoot as a young child, Kiana immediately felt a connection with the creature. With the help of fellow people with similar experiences, she sets out to secret locations with recent sightings to find closure to the biggest question of her life.
Playwright Trevor Griffiths' Oi For England, originally set in Moss Side, was first screened by Central TV in April 1982. It was then staged at The Royal Court Theatre Upstairs, directed by the late, then resident director Antonia Bird and featured Paul McGann, Robin Hayter, Dorian Healy, Peter Lovstrom, Paul Moriarty, and Beverley Martin in the cast. The play toured youth clubs and community centres across London in a bid to engage young people in the social and political issues of the day and to unite them against racism and fascism. This film replete with exclusive interviews from Griffiths, musical director Andy Roberts and guests Alan Gilbey (east end writer) and Micky Geggus (Cockney Rejects) looks back at the tour by way of a reunion of the play's original cast and crew almost 30 years later.
Explores how the quest for an elusive monster transforms those who seek it. Through the stories of hunters, scientists, and believers, the film blurs the boundary between legend and reality, suggesting that Bigfoot might be as much a reflection of human nature as a creature of the wild. Each sighting, rumor, or empty trail becomes a mirror, revealing our collective longing for mystery, connection, and the untamed. Ultimately, the film is less about finding Bigfoot and more about how the search shapes us, igniting a deeper understanding of ourselves and our place in the natural world.
Bold, daring, and impossible to ignore, UTE is a singer-songwriter bringing her uplifting anthems to the global stage. She has amassed a following worldwide for her inspiring story and irresistibly infectious positive outlook on life.
He has tattoos. He writes poems. He paints. He has done a few dirty jobs. When he was in prison for the second time, he received a literary award. He always looks for work, friends, love, but gets lost again and again... He is Weiming, a pen name he adopted when he was in junior high school.
Resonance: Beings of Frequency uncovers for the very first time, the actual mechanisms by which mobile phone technology can cause cancer. A deeper look at how every single one of us is reacting to the largest change in environment this planet has ever seen
The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
It's been nine years since Liz Alderman's son Peter was murdered by terrorists. Every day since then she's faced the same two options; succumbing to the depths of despair or finding a way to survive. Esther Hyman knows about this choice. Her sister was killed when her bus was blown up, she too has had to continuously keep from being immobilized by sadness. And Ben Tullipan now lives minus two legs because of his encounter with a car bomb. Their lives, shattered by terrorists, are now on a new path and they're taking thousands of people along for the ride. 'Love Hate Love' follows these survivors as they search for honor, meaning and a new life's path.
Longtime fans of bluegrass music and those only recently discovering it will appreciate this documentary on the genre, which was born of a combination of African and Celtic sounds and is the base of American country music. This film traces the musical form from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record, resulting in a priceless film that even casual fans are sure to enjoy.
A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.