The British architect based in Stockholm looks back on major projects of a long career inspired by European Modernism combined with his personal sensitivity to nature and community. Erskine is especially valued for his vital understanding of social interaction, exemplified in commissions for universities and housing complexes built from Scandinavia to Italy. The architect takes the camera on a tour of his buildings while offering revealing comments and interpretations.
A documentary on what is it that makes us who we are: an African an African, a Jew a Jew, an Arab an Arab, a white person white -and what do we make of our apparent differences? Not so long ago, all human cultures assumed a natural and unassailable hierarchy - Europeans on the top, blacks on the bottom and everybody else in the middle. The work of the anthropologist Melville Jean Herskovits helped upend many of these assumptions. Herskovits: A Jew at the Heart of Blackness is the journey of a man into international race politics and its consequences for him -and us- in the first half of 20th century, when the battleground in the earliest "culture wars" was newspapers, radio shows, movies and cartoon, all infused with propaganda that explained why Caucasians dominated the world and other peoples as part of life's natural and inevitable order.
Winner of a Student Academy Award®, Sin País (Without Country) explores one family's complex and emotional journey involving deportation. A co-presentation with Latino Public Broadcasting.
Perry Como's last great concert special, filmed in Ireland and screened in 1994. Como appears before an audience of 4,500 in Ireland's celebrated Point Theater, with Irish President Mary Robinson and actress Maureen O'Hara in attendance.
Jarreth Merz, an actor of Swiss and Nigerian origins living in Los Angeles, ends up facing his roots when he is been told that his father is dead. Following the Nigerian tradition, in fact, the eldest son has to take care of the funeral of his father. But who is this unknown father? Why does Jarreth feel a moral obligation towards a family he hardly knows and who has never really been interested in him? Jarreth begins a journey to discover his father through the tales of the people who knew him and a country that doesn’t belong to him even if it is part of his life. Confronting himself with traditions that challenge his beliefs, from Los Angeles to Nigeria Jarreth will face this decisive chapter of his life and the changes that will follow.
For centuries the Japanese warred among themselves and their neighbors, creating a colorful, rich and sometimes brutal legacy. Intriguing to outsiders for centuries, modern Japan is no less so In the 21st century. Focuses on Tokyo and its environs, with attention to scenery, shopping and shrines.
When Thomas Jefferson died in 1826, he left behind a mountain of personal debt, which forced his heirs to sell his beloved Monticello home and all of its possessions. The Levys of Monticello is a documentary film that tells the little-known story of the Levy family, which owned and carefully preserved Monticello for nearly a century – far longer than Jefferson or his descendants. The remarkable story of the Levy family also intersects with the rise of antisemitism that runs throughout the course of American history.
Tempe Video presents 20 unique, easy-to-apply makeups, all created from materials found around the home and in local costume shops. Professional Hollywood makeup artists introduce you to some of their secrets, explained in easy to understand, step-by-step detail! Don't settle for the same old boring Halloween masks - impress your friends and be the life of any costume party! Makeups include: Zombie, Pumpkin-Head, Lizard, Witch, Cat, Exorcism Victim, Vampire, Alien, Burn Victim, Frankenstein's Monster, Mummy, Creature, Old Man, Phantom, Gargoyle, Robot, Swamp Creature, Evil Clown, Dracula and Ghastly Ghoul.
Banned in Cameroon, The Big Banana illustrates the poor working conditions in banana plantations and exposes the adverse impact on the people of a corporatocracy government that affords super profits for corporations at the expense of the local population. The Big Banana outlines land grabbing tactics by company Plantation du Haut Penja (PHP) and the ensuing devastation for communities: poverty, pollution, and sickness from pesticides. Bieleu, who spent two years filming residents in the remote countryside of Cameroon also features local cooperatives resisting the devastation through business alliances with fair trade organizations.
The eight ladies in this film come from Alyawarr Country in the Sandover River region in central Australia, about 250km north of Alice Springs. The filmmakers joined them on a five-day journey into the bush to hunt echidna and gather bush foods such as the bush potato. As they hunt and gather, and as they sit around their campfire at night preparing the food, they talk about the old days and how life has changed.
Reporting the devastation, forced displacement, and genocide in Darfur should be a story with daily coverage. Mere mention of the word "Darfur" should set off a passionate exchange, or at least the question, "What can be done?". Unfortunately, the people of Darfur struggle with a problem common to so many victimized by geo-political realities: how to overcome the willful indifference of powerful government and media interests who find their story unimportant or merely inconvenient. With images and first-hand accounts, filmmaker Mark Brecke shares his experience of the Darfur crisis with Amtrak train passengers journeying eastward on a three day trip to Washington D.C. Their reactions, interwoven with hard facts and expert opinion, raise the central question in They Turned Our Desert Into Fire - Why does the public not understand the severity of this crisis and how can the world continue to do nothing?
BITTER ROOTS: THE ENDS OF A KALAHARI MYTH is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s. Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds.
For many people, the mention of Papua New Guinea will evoke images such as remote highlands cultures and tribal warriors; or perhaps tropical islands and palm fringed beaches, or it may bring to mind darker images of poverty, corruption and raskol violence. But in PNG's capital, Port Moresby, things are starting to look a little different. PNG is slowly joining the globalised world, and if you look closely at this society in transition you can see signs of a modest middle class on the rise, and a new generation coming of age. In Moresby you can find a small band of business people, professionals, managers, and creatives, all working hard to build a better life for themselves and their families. Moresby Modern, is the stories of 7 such people, as they work in the challenging environment of a developing country, learning to balance the traditional expectations of their culture with the demands of modern society.
Wrapped Walk Ways, in Jacob Loose Memorial Park, Kansas City, Missouri, consisted of the installation of 136,268 square feet (12,540 square meters) of saffron-colored nylon fabric covering 2.7 miles (4.4 kilometers) of formal garden walkways and jogging paths.
Best known for her drawings of the ocean and the galaxies of the night sky, Vija Celmins has solidified herself as one of the most important artists of the postwar generation. Stepping back from painting in order to explore her photorealistic drawing style, Celmins creates spectacularly precise renderings of the natural world. In her forty year retrospective at the Hammer Museum in Los Angeles, Celmins recalls her beginnings in abstraction, her choices of subject matter after freeing herself of the New York School influence, and her later immersion in what must be termed her great master drawings.
Hans Haacke is a key figure in contemporary art whose work intersects with conceptual, pop, minimal and land art. The artist is particularly known for his research into the hidden economies and politics of the art world and the repressed histories of places and peoples. Haacke's strong political, cultural and social concerns are reflected in his installations, texts and sculptures.
"Solid States: Concrete in Architecture and Structural Engineering" offers examples and insights into the ever-adapting possibilities of concrete. With the participation of prominent architects and engineers such as Steven Holl, Toshiko Mori and Bernard Tschumi, the lectures consist of footage and theories pertaining to the developments of concrete as a material within the architectural world.
Seven choreographers work tirelessly to both question and embrace their chosen form, producing work that celebrates the strange, startling and poetic beauty of dance and performance. Curated by Gia Kourlas. Narrated by the choreographers.