Continue the hysterical misadventures of Barney Bumble and his homies. While Barney's away at seminary school, Oscar and Jimmy run his dispensary. Meanwhile, Barney's bitter enemies are released from prison and looking for payback.
Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.
After getting kicked out of his band, Aaron hits the road alone to prove a point. His life changes when he gets paired up with Chelsea, an up-and-coming singer and the two force each other to grow up.
This is a story of the violence and coercion that underlies our modern societies. Most of the time, our interactions are peaceful and consensual, but there is a large notable exception. The state maintains its power and ability to create law by the constant threat of force. It prohibits competition to its authority, and in this sense, represents a monopoly.
A mysterious serial killer attacks the roller skater community in London. The police cannot catch him, as he is a very skilled and fast roller skater himself. A group of friends decide to take the matter in their own hands, and organise a man hunt across the streets of London.
Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.
This Western adventure, inspired by Kenny Rogers' hit song, tells how fictional gambler Brady Hawkes, going in search of a young son he never knew he had, teams up with an impetuous young admirer and a shady lady on his journey, which also involves him with an arrogant railroad owner and a gang of villains.
A character study of, “the funniest comedian you’ve never heard of,” and an exploration of how we define artistic success, MENTALLY AL follows Al Lubel, a former Star Search grand champion as he struggles to get by, perpetually broke and sleeping on friends couches, as he continues to pursue his artistic dreams into his sixties.