A nose for digging? Ears for seeing? Eyes that squirt blood? Explore the many amazing things animals can do with their ears, eyes, mouths, noses, feet, and tails. Based on the children's book by Robin Page.
Harry is back and more fashion-conscious than ever. After receiving a comfy, but rose-covered, sweater from Grandma, Harry decides to lose it. He tries leaving it all over town, but it is always returned - until his luck finally changes.
As Winter melts into Spring and the meadow bursts forth with new life, Little Nutbrown Hare sees a rare sight… a pure white fawn, dancing in the moonlight. Nobody in the meadow has ever seen a white fawn and think he is making up stories. But Little White Owl tells of a place of mystical white creatures in the next valley, so the friends go on an adventure.
With methods of eating and manners that are probably all too familiar to children and adults, these mischievous dinosaurs show in a big way that burping, spilling, playing with one's food and outright refusing to eat are not the best ways to enjoy a meal. An entertaining guide to table manners and a good reminder that positive and pleasant mealtime behavior gets the best results.
Dive into Pondemonium for a whole new adventure! Joe and all your favorite pond critters are back. When Bartle Bee and Cosmo get into a heap of trouble, it's up to the whole pond to come together to help save the day. In the end, the most important thing is love and friendship.
Dollhouse: The Eradication of Female Subjectivity in American Popular Culture charts the rise and fall of fictional child pop star Junie Spoons as her life story (and the ensuing disasters) unfolds, as told by those who knew her. Set in the bubble gum pop world of Britney Spears and Lindsay Lohan and told a la VH1's Behind The Music, Junie's story tops itself one scandal after another as she rockets to international stardom and then faces the aftermath of a life under scrutiny.
Based on magnificent illustrations by author/illustrator Eric Carle, this story follows the adventures of 10 rubber ducks as they leave the factory, destined for faraway countries
A commercial promoting the Czech Brouk and Babka department store and its branches in Czech towns Prague, Pilsen, Ostrava and České Budějovice. Felix the Cat sails the sea as a cabin boy, and the boat founders even though Felix and the captain spot the upcoming storm in time. The two survivors are captured by a local tribe of cannibals; they are imprisoned and seem to face death. Yummy Yum, the king of the cannibals, however, has a conceited daughter Ufrfina and decides to reprieve the two captives in order to meet her wishes, as well as the wishes of his subjects - only the men have to buy themselves out by the things from the list submitted by the cannibals. The desperate captives have no idea where to get so many things so fast. A magician hears their weeping. He conjures them two beetles who get them everything the cannibals crave. Felix wonders at this and the beetles confess to owning the Brouk and Babka department stores where everything is available.
An insect dreams of flying and hears of a powerful white spider that has discovered the secret of making beautiful butterflies. Setting out to find this spider, he befriends several other insects on his journey. But when he learns of the spider's evil plan, he must face his fears and rely on his new friends and determination to stop it before the spider conquers the insect world.
The oldest group of kindergarten no. 14 in Wrocław is preparing to perform a Nativity play. The film allows the viewer to observe all the ups and downs of this process, but also to learn the answers to the basic questions that trouble 6-year-olds.
Both abject through its texture and relatable in its fragility, WETWARE offers hyperreality without the common symptoms of alienation. A seemingly self-sustaining ‘organism’ is generated completely in digital through synthesis without reliance on ’real’ imagery. The resulting image is limitless, perpetually spilling outside itself. Suggesting a feed pulsating beyond a bodily surface or even any bodily context, the work examines digital intimacies while also referencing worship music in its relaxing albeit disorienting sonic composition.