Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
East Germany 1978. Karoline and Robert, teenagers who used to live in the same house until Robert's family moved, meet again at this year's holiday-camp. First love, first nude experience, first self-made theatre performance of "Romeo and Juliet". A look at the east-German youth in the late seventies.
This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.
A young boy wants to work with a famous creature/fx man but gets more than he bargained when one of the creatures, The Ultra-Gorgon, takes him under his wing. Literally.
Klaus lives with his two brothers Kunz and Franz in a little village. Together, they ply their trade as cobblers in a small workshop. But the workload rests mainly on the shoulders of ill-treated Klaus. When Kunz and Franz go off into the forest to chop wood for fuel they run into an old woman who asks them for some wine and bread. Rudely and gruffly, they refuse her request and return home without any wood. Klaus then has to set out and he meets the old woman as well. He gladly offers her his frugal meal which is suddenly turned into pancakes and good wine. In addition, he receives a golden goose for his kindness. The bird possesses a an unusual characteristic: all those who are prying, nosy, envious and rapacious get stuck to it and become glued to one another.
An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”
How did Marilyn Monroe become one of the greatest sex symbols of all time? What drove a prudish little Californian girl, who was not especially pretty nor exceptionally talented, to become this incredibly striking platinum blonde superstar? How did she become the icon capable of balancing innocence with raw sensuality, whilst continuing to captivate the masses to this day? How did she achieve this? And what price did she pay?
A middle-aged woman finds herself simply a widow, a grandmother and a person when a friend takes her to the Stardust Ballroom, a dance hall which recreates the music and atmosphere of the 1940s. There she encounters a most unlikely Prince Charming, a middle-aged mailman. With this encounter, life takes on a new meaning for the film's heroine.
Jerry, an ordinary immigrant dad, retired in Orlando, is recruited to be an undercover agent for the Chinese police. Jerry’s family recreates the events on film and his three sons discover a darker truth. True crime meets spy thriller in this genre-bending docufiction hybrid about an immigrant’s search for the American dream. A Slamdance Film Festival Grand Jury and Audience Award winner.
An exploration of the life of Anita Pallenberg, European actress and rock ’n’ roll muse. Told in Anita’s own words, from her unpublished memoir, and in the words of her family, this bittersweet film is a never-seen-before look at life with The Rolling Stones.
By the time he died in 1931, Thomas Alva Edison was one of the most famous men in the world. The holder of more patents than any other inventor in history, Edison had achieved glory as the genius behind such revolutionary inventions as sound recording, motion pictures, and electric light. Born on the threshold of America's burgeoning industrial empire, Edison's curiosity led him to its cutting edge. With just three months of formal schooling, he took on one seemingly impossible technical challenge after another, and through intuition, persistence, and a unique team approach to innovation, invariably solved it. Driven and intensely competitive, Edison was often neglectful in his private life and could be ruthless in business. Challenged by competition in the industry he'd founded, Edison launched an ugly propaganda campaign against his rivals, and used his credibility as an electrical expert to help ensure that high-voltage electrocution became a form of capital punishment.
Underworld drug king Toplar is flooding the market with low-grade heroin. Agent 99 gets a bit too close to the truth, but manages to gasp out a clue as to Toplar's identity. Jane (Agent 73) is called in, and gets a camera implanted in her breast in order to photograph the bad guys she dispatches so headquarters will be able to identify Toplar when she finds him.
Judge Priest, a proud Confederate veteran, restores the justice in a small town in the Post-Bellum Kentucky using his common sense and his great sense of humanity.
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you?
When Layla, a struggling Arab drag queen, falls in love for the first time, they lose and find themself in a transformative relationship that tests who they really are.