Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
Sal Paradise is a young writer whose life is shaken and ultimately redefined by the arrival of Dean Moriarty, a free-spirited, fearless, fast talking Westerner and his girl, Marylou. Traveling cross-country, Sal and Dean venture out on a personal quest for freedom from the conformity and conservatism engulfing them in search of the unknown, themselves, and the pursuit of “it” -- the pure essence of experience.
The death of John Kennedy is viewed through another angle in this conspiracy-themed film defending the theory that George Herbert Walker Bush was a key player in all aspects of the assassination of American president John F. Kennedy.
Shot in 1959, Michael Blackwood’s first film Broadway Express is a portrait of New York City’s diverse population, as captured in the city’s subways during the evening rush hour and late at night. The film is a portrait of the city through the faces of the passengers held captive for the ride.
The coronavirus SARS-CoV-2 has upended life as we know it in a matter of mere months. But at the same time, an unprecedented global effort to understand and contain the virus—and find a treatment for the disease it causes—is underway. Join the doctors on the front lines of the fight against COVID-19 as they strategize to stop the spread, and meet the researchers racing to develop treatments and vaccines. Along the way, discover how this devastating disease emerged, what it does to the human body, and why it exploded into a pandemic.
Seven Wonders of the World is a 1956 film in Cinerama. Lowell Thomas searches the world for natural and man made wonders and invites the audience to try to update the ancient Greek list of "Seven Wonders of the World."
A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
In a rough style, by way of unique footage, the brutal consequences of modern wars are exposed. The film also depicts the ability of women and children to handle their everyday life after a dramatic war experience. Many of them live in tents or in ruins without walls or roofs. They are all in need of money, food, water and electricity. Others have lost family members, or are left with seriously injured children. Can war solve conflicts or create peace? The film follows three children through the war and the period after the ceasefire.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.
Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
At first glance Brazil appears to be an alluring playground of exciting carnivals, sultry samba, divine football and a vibrantly diverse people. But behind this dazzling facade lies a disturbing story of history’s largest-ever slave population. Astonishingly Brazil, a Portuguese colony, received ten-times more African slaves than the numbers transported to North America. This programme looks at those estimated 4 million people with whose blood, sweat and tears Brazil was built. Without them none of Brazil’s present-day success and appeal would exist. Using contemporary testimonies, this film takes a hard look at Brazil s dark history through the eyes of those slaves. They lived in squalid conditions on remote plantations or in teeming cities harboring fatal diseases. Most Africans survived only seven years in this ‘New World’.