Kiki and Lala go on an adventure to find a blue bird that's said to bring happiness, and discover the true meaning of that word along the way. The first and single feature-length theatrically released film for Sanrio mascots Kiki and Lala, screened alongside Hello Kitty no Cinderella and My Melody no Akazukin at the first Sanrio Sekai Meisaku Eigakan theatrical road show.
Colorful Kodachrome cubes and lines are synchronized to a jaunty tune. This film, found in the collection of Chicago-based filmmaker Margaret Conneely, was made by amateur filmmaker Denver Sutton of San Francisco, and was distributed by the Northern California Council of Amateur Movie Clubs.
Narrated in the style of the poem “A Visit from St. Nicholas,” the ad takes the perspective of Santa Claus as he struggles to navigate a hotel on Christmas Eve – and then successfully delivers his presents to an Airbnb listing.
Makoto Nakazono is a high school student with a small dark secret. Since he was little, he has had the mysterious power to see "black entities" that steal souls. One day, he is suddenly interrogated by one of the "black entities," Akira Seno: "Will you get in our way?" But Makoto replies with an air of resignation, "There's nothing I can do anyway, so I won't." At that moment, Makoto didn't notice the threatening shadow approaching his childhood friend Hazuki...
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Mound is a celebration of the moving painting, in which more than one hundred pallid puppets – clowns, spectres, gnomes, wraiths, and ghouls – writhe, sway, plod, and transform with awkward grace to the mournful musical accompaniment of It’s Raining Today(1969) by legendary singer-songwriter Scott Walker (also known as Noel Scott Engel).
In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
The curtain rises: a Kyōgen stage, an examination room at an eye specialist’s, a sushi counter. There are two people who meet in this. Feelings of the most diverse kind, alternating between fear and fascination, between tenderness and sanctuary, flare up and are immediately put into practice. The feelings of the other are explored.
On her way for a simple grocery, a girl literally has to struggle through her fellow beings. Some of those people tend to leave a mark, but only one person leaves a mark that sticks.