A spectacular journey of an unwilling young hero thrust into a mysterious past full of monsters, dragons, and strange hidden powers. Through a series of out of this world battles and adventures, Jun, a shy middle school boy, is transformed into a hero destined to battle evil and ensure harmony and tranquility in the world.
A young mexican smuggler and a little girl travel illegally on top of a cargo train, called La Bestia, to get to the USA. An injury transforms his perception of the journey.
Through illustrations and sounds, Una vez la noche experiments with the obsessive narration of four diverse characters –all of which are lost in the settings of their memory– to exhibit crucial events that marked their lives forever. Through a particular mise-en-scène, the film provides apparently ordinary people with a brilliant singularity, introducing us to a new perception of reality.
Dotty, who is in a slump, applies for a game showdown with the most popular creator, Killbak. During a battle over their retirement, a mysterious paparacoon appears and gives Dotty an invitation to the Tower of Eternity. However, in the tower of eternity, Dotty's elementary school friend Garam, who suddenly disappeared from childhood, is locked up, and even the viewers who accessed the game together are trapped there. Dotty and friends open the door to the Tower of Eternity to save Garam and the viewers. What awaited them in the Tower of Eternity... ?
A well composed series of gags run from ones involving simply frame composition all the way out to Keaton-like surrealism in this well-ordered and executed series of gags-on-a-theme Oswald the Lucky Rabbit cartoon from Walter Lantz' cartoon team.
John Frum, Messiah of Polynesian Cargo Cults, returns as an astronaut and businessman to the postindustrial wasteland of the financial-service-economy. Embarking on a "conquest of the useless" things get confused and what begins as a journey becomes a trip beyond the boundaries of so called logic and meaning. Realised in beautifully crafted animation and innovatively rendered background art, the telling of this story is thick with atmosphere and celebrates a renaissance of the unconscious freed from the technocratic shackles of our times.
This short cartoon tells the story of a bear who didn’t believe in Christmas. His main problem with this most magical of holidays? Too many Santas. How would he ever recognize the real one? Alone, out of a job, he goes to drown his sorrows, but back in his lonely room, for all his doubts, the Christmas spirit makes a surprise call.
The patriarch of a family of farming hill billies is fattening a turkey to slaughter for Thanksgiving Day dinner, and he is fattening the fowl by providing him with a veritable feast of roast beef, ham, fruits, vegetables, cakes, and pies. A jealous Daffy Duck, one of the turkey's fellow farm animals, wants to have all the food for himself. So, Daffy pretends to care for the turkey's welfare and warns the turkey off the food, and he urges the turkey to lose weight so that the hill billies won't want to slaughter him. Daffy gorges himself on the food while acting as coach to the turkey, who is frantically and strenuously trying to reduce himself. When Thanksgiving comes, the turkey is toothpick-thin, and the hillbilly father turns his hungry sights on an overweight Daffy!
The school year is finally ending, and T.J. Detweiler is looking forward to summer. But boredom quickly sets in when his friends leave for camp — until T.J. uncovers an evil plot to do away with summer vacation! A crazy former principal, Dr. Benedict, is planning to use a laser beam to alter the weather and create permanent winter. Faced with the dire threat of year-round school, T.J. rounds up the RECESS gang and bands together with some unexpected allies — Miss Finster and Principal Prickly — in a nonstop adventure to save everyone's summer break. As the kids discover the heroes inside themselves, a platoon of wacky characters, far-out music, and sci-fi surprises turn this madcap mission into a major victory for fun!
A Ryūkyū man dressed in a traditional bashōfu (芭蕉布 / banana plant cloth) kimono lies on the beach looking out to the sea. As he lies there, we witness the passage of time on the islands. At first there is peace and time seems to move slowly. Only the music and the occasional movements of the man indicate the passage of time. Finally a man carrying water passes by, followed by other people representative of times past: market vendors, peasants, the red-cheeked god dancing at a matsuri (festival). But as the film progresses, the islands prove to be the meeting place of many cultures.