The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.
Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.
A heartbreaking tale of a poor yet honest young man as lies, conspiracies and a horrible betrayal by his rich and influential employer leads his life towards uncertainty.
They still carry his house keys with them, Joaquin Sabina's old friends. It does not matter that the Madrid-based singer, who is adored throughout the Spanish-speaking community, changed the locks to his house years ago. After the brain haemorrhage that hit him in 2001, Sabina suddenly could not bear the dozens of friends anymore that invaded his house. This was a raw deal for them, as the interviews reveal that director Ramón Gieling had with them. As in Gieling's previous documentaries, he created a cinematographic form for the interviews, which he consistently applies. Friends and former lovers are introduced in a minutely reconstructed copy of the living room they were expelled from. In the real living room, they used to lead a loose life without thinking about the health risks.
This film is a portrait of the group as it was more than a year before the release of the album The Dark Side of the Moon. It bears witness to one of the most fruitful periods in its existence. The recording session was filmed with a Coutant camera on 16mm black and white reversal stock. The rushes were found again by the filmmaker and are now preserved at the Cinémathèque française. They have never been seen except for a ten-minute excerpt used in the director's cut of Pink Floyd: Live at Pompeii.
Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!
Rihanna's rise to global pop icon seems like a fairytale and makes her the most important representative of her home country Barbados. The film tells Rihanna's career from the perspective of her home island and traces her dual role as a billionaire entrepreneur and national heroine.
To celebrate the tercentenary of Vivaldi's Four Seasons, five choreographers - Franck Chartier, Bobbi Jene Smith, Or Schraiber, Imre & Marne Van Opstal and Emilie Leriche - take inspiration from Max Richter's masterful recomposition of this great work.
Violet Evergarden has captured the hearts of the anime community by storm and has been delighting audiences with emotional stories, brilliant animation and beautiful music for years. To celebrate the anime, a unique orchestral concert was held at the LINE CUBE SHIBUYA theater on August 14th and 15th, 2021 to honor the outstanding music.
A unique visual and musical experience based on the Gospel of John. Originally a Passion play, it freely blends elements of stage and cinema, creating a fresh take on this well known story.
In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame.
“Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter.
Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn.
The Beggar's Opera is one of the earliest examples of a Musical in the history of theater (from which Bertolt Brecht and Kurt Weill drew inspiration for the Threepenny Opera). A crowd of thieves and prostitutes, fences and swindlers, speaking various dialects with Peppe Servillo as the shady fence, Angela Baraldi (the wife), Marco Alemanno and opera singer Borja Quiza Martinez (Captain Uccello) directed by Lucio Dalla. New translation and dramaturgical version by Giuseppe Di Leva of John Gay's play transported from the slums of 18th-century London to the Bologna of today.
George Thorogood is an American icon. In a career that stretches back to the mid-70's, he and his band The Destroyers have released 16 studio albums with worldwide sales in excess of 15 million. 2013 saw George & The Destroyers make their long-overdue debut at the legendary Montreux Jazz Festival. Performing at an event that had previously played host to many of their musical heroes inspired the band to produce one of their finest performances on a set list that stretched back to their 1977 debut album right up to recent releases. George Thorogood & The Destroyers deliver a dozen-song set at the 2013 Montreux festival that includes his signature tunes "One Bourbon, One Scotch, One Beer," "Cocaine Blues," and "Bad to the Bone."