The first movie based on the life of the last sovereign Nawab of Bengal, Bihar and Orissa and the historical events of the Battle of Palaashi was directed by Khan Ataur Rahman. Anwar Hossain played the role of the doomed Nawab. Khan Ataur Rahman and Anowara played other major roles in the movie.
In Manhattan, New York, an ordinary British man named Geraint Whitmore — known by many as Kinney, The Morter, or The Terminator — finds his life destroyed after being falsely accused of causing a concert bombing that killed dozens. Despite claiming he was far from the scene, he is arrested and humiliated by the media. After years behind bars, Geraint is released but deeply changed. Determined to rebuild his name, he opens a luxurious entertainment complex called The Termine67 — part hotel, part mall, part gaming center. The name honors both his birth year (1967) and the Gen Z number “67”, making it popular among young people. At first, the place becomes a symbol of hope and fun — flashing lights, games, and crowds. But Geraint’s quiet bitterness grows. He begins gathering people who feel wronged or abandoned by society — outcasts, hackers, criminals. Soon, The Termine67 transforms from a family attraction into a dark underground network.
The Nazi regime lasted from 1933 to 1945 and was undoubtedly one of the most horrific periods of history. The Nazi Party and its immoral leader instilled one of the most corrupt regimes on the people of Germany and its invisible enemies. However...Adolf Hitler was not working alone. He had a circle of some of the most barbaric and evil men alongside him, who helped make the atrocities possible. These are...the Nazi Fugitives.
There is a civil war in Central Asia. Bai-rapist kills the whole family of a Turkmen young man, the shepherd Chara Esenov. The surviving Chara, avenging the scolded honor of her young sister, single-handedly pursues Shamurad Khan, the head of the local Basmachi gang. Acquaintance with the Red Army soldier clarifies the meaning of the fight to the hero of the film, he adjoins the Red Guard, opposing the Basmachi, and, giving up personal revenge, once leads Shamurad into a detachment for a legal trial ...
September 2016: Stacey Dooley embeds herself on the frontline with the extraordinary all-female Yazidi battalion, who are fuelled to take revenge against the so-called Islamic State. As the battle to take Mosul from ISIS advances in Northern Iraq, in this extraordinary film for BBC Three, Stacey finds these young women's lives have been transformed by a desire to avenge their loved ones who were murdered by Isis.
Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.
The film is based on a true story that happened in Alaska in summer, 1943. Soviet pilot crew is flying new American bomber from the USA to the USSR under lend-lease& The pilot lands at an air base in the town of Nome for refueling only to find out that his partner has disappeared in the middle of the flight. Navigator cockpit is open, and the navigator himself has vanished into the thin air. Soviet and American intelligence do not believe in supernatural power, especially since the solder's missing parachute pack has valuable intelligence data. Recon teams of the two rival countries set out to search it in the depth of Alaska forest, however, soon another mysterious player joins the game, an aleut deity called Bansu.
Combat footage and old photographs from extant BBC documentary footage from the First and Second World Wars is intercut with contemporary footage of First World War veterans recalling their experiences at Royal Canadian Legion halls, memorial day commemorations and veterans' hospitals.
Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.
A taut wartime thriller, Red Crag: Life in Eternal Flame anticipates the paranoia and violence of the imminent Cultural Revolution while harking back to the aesthetic splendour of the Golden Age Shanghai cinema of the late 1940s. (This opulence is largely due to the work of cinematographer Zhu Jinming, the master visual stylist of Shangrao Concentration Camp and other key "Seventeen Years" films.) The film concerns a hard-boiled woman working in the Chongqing Communist underground during World War II, whose commitment to the guerrilla cause is only intensified after she witnesses her husband's head mounted on the city walls by the Nationalist forces.
Endphase tells the story of one the last WWII massacres which was not spoken about for 75 years. In the night of 2 May 1945, 228 Jewish women, children and old men were murdered in Hofamt Priel, a small village in Austria. The perpetrators were never found. The film is a journey into the past of the neighbouring communities Persenbeug and Hofamt Priel, where the brothers Hans and Tobias Hochstöger grew up. In search of an explanation they speak with the last local eyewitnesses and find Yakov Schwarz, the last survivor, and his family in Israel.
1988 CBC docudrama on Canada's role in WW1. Terence McKenna tours the Battlefields of Ypres, the Somme, Vimy Ridge and Paschendaele. Actors portray several Canadian soldiers in WW1 in re-enactments based on their memoirs, diaries and letters.
Atanes Ghambaryan, resident of Armenian border village, after the captivity during the World War II, turns up abroad in Turkey and dreams of returning to his homeland. During one of night patrols, border guard Armen who is in love with Ghambaryan's daughter Seda, recognizes him on the other side of the river Araks.
Vietnam veteran Jonathan Teller suffers from guilt and paranoid delusions. He decides to take his own life, but as he struggles to come to terms with his choice and reality, a chance encounter changes everything.
The hero of the Russian-Ukrainian war has a classic manifestation of post-traumatic syndrome. Uncontrolled emotional manifestations, isolation, hallucinations, no one wants to have anything to do with him. No one needs him: neither the state nor his relatives. To no one, except the manager of the boarding house. The Soldier's case was of particular interest to a government official who suddenly arrived at the boarding house. After all, the boy's visions are not just hallucinations, they are omens and help to find out the fate of other missing soldiers. It turns out that this civil servant has his own pain that he hides. Oddly enough, the life destinies of these different people unexpectedly intersect.
The Peruvian Andes. Andean shepherdess Margarita finds Lautaro, a dying Chilean soldier who has fled from a battle. She takes him home and nurses him. When he finds this out, her father decides to hide him, putting his family at risk. His only condition is that the soldier must leave when he recovers. Over time and despite the linguistic differences, the shepherdess and the soldier establish an intimate relationship. When he is discovered, the Chilean is taken prisoner but his life is spared as the shepherdess is expecting his child.