Americans come west to California in the hope of peaceful settlement. Roy and Gabby sing a duet: "We're Not Coming Out Tonight." Other songs include "Sundown on the Rangeland" and "Ride on Vaquero."
The Carson City Kid and partner Laramie are outlaws. When his partner is caught the Kid, his identity being unknown, takes a job in Jessup's saloon. Here he see Jessup cheat Waren out of his money. Warren then robs Jessup posing as the Kid but gets caught. To gain his freedom, Laramie identifies Warren as the Kid. Realizing Jessup is the man that killed his brother, the Kid must find a way to clear Warren and get Jessup.
Sandwiched in between the numerous musical numbers, the Gabby Whittaker and Madden rodeo's are competing for bookings. When Gabby gets a date in Albuquerque, Madden has his man destroy his equipment. Roy finds a broken rawhide rope at the scene and uses it to bring Madden to justice.
After their unprecedented win at the National Stripper Competition in Las Vegas the year before, the Chocolate City team of strippers have had some ups and downs. Michael, their lead dancer suffered a tragic loss when his mother unexpectedly passes. Their Reality show, after their Vegas win, experienced low viewership and was not what they had expected, forcing them to withdraw from the Network production altogether. Now its time to get back to what they do best - dance. With the help and support of Mr. Williams, the Chocolate City Dancers will now prepare for a multi-city tour to regain their mojo, but once again personal challenges and internal beefs threaten to derail their new plan.
A scientist injects his lesbian best friend with a compound he's created to make her stop cheating on her wife (who is bi), but when the wife finds her new fixation suffocating, he injects the wife too, which backfires as she falls for him
Once in a Valentine tells the story of a woman haunted by past trauma who faces her fears and finds unexpected love, risking everything on one suspenseful night
Two African-American teenage boys are suddenly and mysteriously abandoned by their parents. The two have to learn how to survive on their own. From this desertion, comes an experience of beauty, meaning and enduring love.
An immersive, behind-the-scenes look at one of the world’s leading ballet companies as it mounts a new production of Swan Lake. Ballet icon Karen Kain, on the eve of her retirement, directs the National Ballet of Canada. The film weaves together intimate scenes of the creative process and the dancers’ personal lives. Executive Produced by Neve Campbell.
A teenage girl struggles to fit into a crew of Soca backup dancers. Her first chance on stage becomes a night of difficult choices, but also possibilities for an exciting new future.
A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
Centers on a group of college friends who meet once a year for their "Rosé All Day" pool party. After years the cracks in their relationships become all-consuming sinkholes filled with vomit, tears and confessions.
A panic attack causes Millie to miss her flight to New York. Everyone thinks she’s made it though, thanks to her fake Instagram posts from the “Big Apple”. A tragicomic hunt for a new ticket ensues, as she attempts to beat the clock, her fears and the truth.
Dr. John Spooks (a puppet) returns home to discover that his lovely wife, Karen (also a puppet), has been brutally attacked. The film savors the couple's final moment together while inviting the audience to surmise the inescapable and unsavory past that brought John and Karen to this point. LIABILITY is an existential, absurdist joy ride that gleefully tests the audience's ability to suspend disbelief effectively. The result is part satire of the crimes-of-passion genre and homage to the banality of movie-making tropes of decades past.
On Christmas Eve, the Perfect family experience a series of outrageous misadventures, pranks and criminal activity that may jeopardize their chance at The Perfect Christmas.