Cheyenne has been ordered to take a vacation so Fuzzy has him go to a ranch of a friend. When they arrive at the El Lobo ranch, they find that his friend is dead and they want no visitors.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
The sound of flapping bat wings, an empty coffin, glistening fangs, tiny punctures on the neck, the sensual taste of blood, a blank reflection, fear of the cross, and death from daylight. These are the creatures of the night, and as legendary (but fictional) vampire hunter Abraham Van Helsing exclaimed: "Gentlemen, we are dealing with the undead!" Perhaps the most enduring film genre of all time, vampire films continue to haunt us on the big screen. Why are we fascinated with the myth of these immortal souls? Could it be the living forever part, or perhaps the fact that they have an unearthly sexual attraction to both males and females? Whatever it is, audiences around the world can't seem to get enough of them.
Cast into a violent and bloody world of murder, Hereward, a novice monk, must deliver the Holy Gospel of Lindisfarne - a book of great beauty and power - to the safety of the Iona monastery, while being pursued by a Viking death squad hell- bent on its capture. On his way to the monastery, he meets a fierce and skilled swordsman who answers his prayers and dedicates his life to protecting Hereward while he delivers the book. In the midst of their journey, they are confronted by Vikings ready to kill in order to get what they want, leaving Hereward and his protector at their mercy.
Chip has inherited a supposedly worthless gold mine from her father and Craig Allen is about to buy it. Roy suspects the mine may be valuable and using a clue left by Chip's father, investigates. He finds the hidden shaft that contains the gold and with the posse chasing him on a trumped up robbery charge, races to town with ore samples hoping to get there before the ownership is transferred.
Eddie Dean is a Cattlemen's Association agent investigating a serious rash of rustlings along with sidekicks Soapy (Roscoe Ates) and Waco (Lee Bennett. The latter bears a striking resemblance to Lawrence ranch foreman Bert Ford (also Bennett), who has been the target of several assassination attempts. Rancher Lawrence (Lee Roberts) and Eddie decide that Waco shall impersonate Ford, who is hiding out in a hotel room.
Medicine show proprietor Doc Lattimer has in his possession a map showing the location of a cache of stolen gold. His son Don favors keeping the gold rather than returning it to the express company to which it rightfully belongs, and steals the map, only to find himself menaced by outlaw leader Cal and his gang.
B-western starring Eddie Dean as a singing lawman who comes to the aid of a pretty rancher (June Carlson) who's been targeted for murder by a notorious bandit known as "The Hawk".
Ranger Eddie Dean is looking for the outlaw the Tioga Kid, a man he closely resembles. He runs into Joe Morino and his gang of rustlers at the same time Tioga arrives to cut himself into Morino's game. But Morino doesn't give in and in the showdown, Eddie and the Kid find themselves on the same side.
Roy Rogers is a cowboy who joins the Border Patrol, only to have his buddy Tommy get killed at a local saloon. Determined to get revenge at any cost, Roy and Rusty cross the border in search of Arizona Jack, the man responsible for Tommy's death.
On a weekend night, Ariel finds himself comforting Luna, his best friend’s girlfriend. After their sudden break-up, Ariel and Luna try to figure out the reasoning behind it.
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
Charlene and her teenage son (Quincy) are forced to relocate to Memphis with her estranged sister (Gwen). Tensions quickly escalate between the sisters, while Quincy befriends the neighborhood hustler (Dawg) and becomes immersed in the city's gritty lifestyle and the subculture of the street dance called Memphis Jookin.
After a baby T. rex hatches from a prehistoric egg found in a nearby cave, siblings Emma and Brian must outsmart an evil scientist who wants the dinosaur for his own nefarious purposes.