Hurray, it's Christmas time and all the inhabitants of Sunnyville are ready to celebrate with a song and a dance! But wait! Brooklyn the lion, Peanut the giraffe and Beezbee the tiny bee have a question: why can't we celebrate Christmas all year long? Imagine, celebrating Christmas in summer! Wouldn't it be nice to take a dip in the pool and open Christmas presents all at the same time? Sounds like a brilliant idea, doesn't it! Will Fritz the ice-cream monkey have the answer? Will Sunny know why playing at the beach couldn't go hand in hand with singing yuletide songs? Join Brooklyn, Peanut and Beezbee and find out in Christmas Dance 3!
Margot has been waiting in her house for 40 years. Her waiting morphs into desperate attention seeking. But she does not wait alone. Marie is becoming. Malleable, she tries to fit, slipping through her body and sliding around corners, picking up cues of who and how to be. Marjorie shines effortlessly. Her dream life, her golden exterior, her pretty performance, prove impossible and impermanent. Mother Flower is everything, the beginning and the end. Hers is a body of pure bounty, longed for, nourishing, sheltering. The four women are joined by a chorus of body parts, hands and tongues, mouths and babies, across grandiose performances, staged death scenes, fledgling steps, and displays of fertility and futility, as they reveal how hard it is to be in a body, to be a body.
In "Fahren 7" the field of vision is constantly blocked through demarcating elements running closely along the route. Speed deforms the passing surfaces into abstract kinetic shapes. Even though fundamentally different processes are in play, the video claims to share the Materialists' devotion to structure, shape, the texture of surfaces and texture through patterns in motion.
The main character, a fisherman, lives in a small house on the beach. One day he came to the sea, but not to fish, but to invite a mermaid on a rather unusual date.
The protagonist is leaving on a journey to the places, that remind her of the past. The woman looks back on her memories of the unhappy love and tries to leave these behind.