Explore the 1928 collapse of the St. Francis Dam, the second deadliest disaster in California history. A colossal engineering and human failure, the dam was built by William Mulholland, a self-taught engineer who ensured the growth of Los Angeles by bringing the city water via aqueduct. The catastrophe killed more than 400 people and destroyed millions of dollars of property.
Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Marguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.
Thirty-plus years after its release, the popular two-part miniseries "It" and its infamous villain Pennywise live on in the minds of horror fans around the world. This documentary captures not only the buzz the "It" saga generated in 1990 but also the lasting impact it has had on an entire generation and the horror genre at large. Several years in the making, the film features exclusive interviews with many of the cult classic's key players, from cast members Richard Thomas, Seth Green, and Tim Curry, who portrayed the notorious monster clown Pennywise, to director Tommy Lee Wallace and special effects makeup artist Bart Mixon. The documentary also boasts a wealth of archival material and never-before-seen footage.
A documentary feature that combines behind-the-scenes footage from director Juval Marlon's previous films with freshly shot interviews and performances to reflect on the character of underground exploitation cinema.
More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.
Visual images consist entirely of Indian miniature paintings, while an off-screen narrator traces the rise of this art form within the courts of Akbar (1542-1605), who united what is now India and Pakistan, and his son Jahangir (1569-1627). Two schools of the miniature paintings, done by anonymous artists, flourished after Akbar established unity and peace across what had been many smaller states: the Moghul (Islamic) school and the Rajput (Hindu) school. The Moghul paintings record the events of the court, while the Rajput school connects physical beauty and, in particular, the longing of women to the transcendent values of the spirit.
With unprecedented access to the nuclear industry in France, Russia, and the United States, Nuclear Now explores the possibility for the global community to overcome the challenges of climate change and energy poverty to reach a brighter future through the power of nuclear energy. Beneath our feet, Uranium atoms in the Earth’s crust hold incredibly concentrated energy. Science unlocked this energy in the mid-20th century, first for bombs and then to power submarines. The United States led the effort to generate electricity from this new source. Yet in the mid-20th century as societies began the transition to nuclear power and away from fossil fuels, a long-term PR campaign to scare the public began, funded in part by coal and oil interests.
This TV documentary shows some of the colourful residents of and people connected with the New York Chelsea Hotel. Some highlights include Andy Warhol and William Burroughs having dinner; Quentin Crisp pontificating in a blue rinse hairdo on his balcony and Nico forgetting what she is talking about halfway through a dour rendition of "Chelsea Girls". A number of lesser-known characters also appear, linked together by a tour guide walking around the building and some sub-Shining sequences of a child cycling round the landings on a rickety tricycle.
Liverpool, a sleeping city, awakens under the glow of a musical revolution. Four boys, known as the Beatles, turn their dream into an odyssey. This documentary is a visual symphony that traces their meteoric rise, the challenges that darken their path, and the eternal mark they leave on the history of music. A moving poem.
Told through the eyes of an increasingly empowered heroine, THE CARRIER is a powerful and moving portrait of an unconventional family, set against the backdrop of the growing HIV/AIDS epidemic in Zambia. This lyrical film follows Mutinta Mweemba, a 28-year-old subsistence farmer living in a polygamous marriage. After learning she is HIV positive and pregnant, Mutinta sets out to keep her unborn child virus-free and break the cycle of transmission.
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Everyday except Christmas London Transport run coach tours of London. The tours start from Victoria and from Piccadilly Circus; there is no booking and little waiting; they are popular with visitors of all nationalities, and they let you see the sights in comfort, though rarely with so well-orchestrated a musical accompaniment as David Fanshawe's.