A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.
"Renee" tells the story of Renee Richards' battle to enter the 1977 U.S. Open as the first transgender tennis player. Simultaneously, it follows her today as she struggles to cope with a life of contradictions and personal conflict. Through interviews with tennis legends, family, friends and experts from the transgender field, a story of perseverance, breakthrough and hardship unfolds.
Nick Brandestini is a filmmaker based in Zurich, Switzerland. His first documentary, Return to Florence (2006), about a small group of young American and British artists studying classical methods at an unconventional school in Florence, screened at numerous film festivals across North America, winning several awards. His next documentary, H.R. Giger's Sanctuary (2007), about the renowned and reclusive artist, H.R. Giger, most famous as the creator of Ridley Scott's “Alien”, was an official selection at the AFI Film Festival in Los Angeles.
Ten years in the making, Strange Powers is an intimate documentary portrait of songwriter Stephin Merritt and his band the Magnetic Fields. With his unique gift for memorable melodies, lovelorn lyrics and wry musical stylings that blend classic Tin Pan Alley with modern sounds, Stephin Merritt has distinguished himself as one of contemporary pop's most beloved and influential artists.
Underdog begins as a dog-filled travelogue but eventually forms into a cinematic essay that effortlessly moves from one time and place to the next. The film criticises selective breeding and explores the history of oppression based on racial categorisation in both the human and dog world. The film’s audiovisual argumentation is constructed effectively through split-screen cinematography and voiceover narration.
What does the darkness of the night hide in its embrace? Fragmental Studies of a Night introduces seven scientists from different fields and follows them working at nighttime. Research in the darkness requires sharpening of all the senses and patience to observe. Through glimpses illuminated by headlights and the moon, the nocturnal life appears rich and mysterious.
Named after the Lana Del Rey song, Ocean Blvd examines the safety of spaces and architecture from a transgender perspective. Through a trans lens, the purported apoliticality of familiar spaces like public bathrooms or the forest is challenged. Material spaces sometimes melt into settings for dream sequences in the narrative that effortlessly combines elements of fiction and documentary.
Confessions of Undecided Women is an animated short documentary consisting of confessions from women in their thirties about childbearing in a society where women’s bodies have been instrumentalised for reproduction. The documentary gives space to the voices of those who are undecided, fearful, or do not want children. It creates room for reflection and discussion on women’s personal choices and societal expectations.
The freely flowing Spectacular Specimen is a film filled with underwater beauty, where researchers explore the endlessly fascinating world of marine life. Underneath the surface, objective attitudes to research work hide true passionate relationships to ocean life. This passion for the ocean, however, can often get lost in the world of financially motivated research funding and a field that often objectifies wildlife.
This visually idiosyncratic short documentary concerns itself with immigrants who fled their troubled home countries to settle in safe Finland. However, in their adopted home country, they have run into street violence. By telling the story of these brothers the film asks if it is possible to break the cycle of violence through one’s own actions and to live without constantly having to look over one’s shoulder? The film’s aesthetic choices are bold and alienate the viewer from the violence of the subject to just the right degree.
Bring the light of love and kindness with your songs, with a wide smile and a wide open soul, travel almost all of Europe on a bicycle, get into the Guinness Book of Records, meet with the President of the Czech Republic Vaclav Havel and receive the keys to the bus from his hands as a gift - all of which I could not the dream of an ordinary Soviet citizen came true in the life of a simple guy Gennady Chernetsov.
Akseli Gallen-Kallela’s honeymoon trip to Viena Karelia was one of the numerous colonial expeditions undertaken by Finnish artists, aiming to draw from Karelian culture to construct Finnish cultural heritage. Director Mikki Noroila’s relative Rimmin Ul’l’aska, who lived in Viena Karelia, served as a living model for Väinämöinen in Gallen-Kallela’s Aino Triptych (1891). The film tells an alternative narrative of history, one that does not rely on the Finnish colonial tradition.
In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.
The last thing Armenian citizens in 2022 expected was that their new neighbors would be thousands of Russians who fled Russia out of conscience or fear of ending up in Ukrainian black soil. Russian propaganda declares them traitors and calls on "those who remained" to unite in hatred against "those who left for warm countries". But are these countries warm? And can’t the "left" themselves cope with their own hatred without help from others?