A love triangle occurs between the publisher's daughter Betty Moody. comic book artist Tim Jones, and the company's wily manipulative manager Hilton Payne. In addition, Betty's dad, Phineas Moody suffers from severe melancholy; and an emergency cure of laughter is required to save his health.
Filmed during the tour for 2004’s Uh Huh Her (and directed by longtime collaborator Mochnacz), Please Leave Quietly intermixes live footage with backstage antics, street scenes, buggered sound checks and impromptu commentary from tour personnel and bandmates. Often interspliced and edited to a near distracting degree, the live performances are riveting, with Polly Jean displaying a venomous allure in her Oz-red high heels and short-skirted dresses.
The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.
Nikki Martin, a beautiful French opera star, stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader, who, after hearing her sing, eventually comes to reciprocate her feelings.
Bob Clemens is a cameraman for newsreels. Assigned to shoot the Swiss ice skater Karen Vadja, he arrives too late, so decides to film a woman skating on a different New York rink and pass her off as Karen. The scheme backfires when promoter Larry Herman takes a look at Bob's film and decides to make the skater a star. Unfortunately, it's actually amateur (and illegal immigrant) Marie Bergin in the newsreel footage, not the great figure skater from Switzerland. Chaos ensues as Bob tries to straighten everybody out.
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Between 1993 (with the release of Dr. Dre's The Chronic) and 1996 (when 2Pac dropped both All Eyez on Me and The Don Killuminati: The 7 Day Theory), Death Row Records was the most successful label in hip hop, releasing a string of major hits featuring a distinctively laid-back but funky sound that took gangsta rap to the top of the charts. Death Row Uncut collects videos of 28 tunes that Death Row released during their heyday, including "Dre Day" and "Let Me Ride" by Dr. Dre and Snoop Doggy Dogg, "Gin and Juice," "Who Am I (What's My Name)," and "Murder Was the Case" by Snoop Doggy Dogg, "Natural Born Killers" by Dr. Dre and Ice Cube, and "To Live and Die in L.A.," "Hit 'Em Up," and "Dear Mama" by 2Pac. Death Row Uncut features unreleased live performance clips and uncensored versions of some videos that were softened for broadcast; it also includes an interview with label CEO Suge Knight, who has few kind things to say about his former co-workers.
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
Tony and some friends put together a rock band to do some concerts and earn some money. Unfortunately the military service is incumbent, but fortunately the boys will find themselves in the same barracks.