A compilation of proto-music videos featuring leading British rock bands of the 60s, including The Animals, The Spencer Davis Group, and Herman's Hermits.
Don Vincente is determined to make a success of himself and his band. He gets his break by performing at the Garden of the Moon, which is broadcast over the radio. The problem is that John Quinn is the club's ruthless, scheming manager who will do anything to keep Vincente under his thumb. John's assistant, Toni Blake, falls for Vincente, complicating the escalating war.
With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Michaeux's many notable send-ups of the clergy.
A fascinating look at one of the most unforgettable groups of the '70s. You'll see Richard and Karen Carpenter performing lots of their classic songs, plus rare archival footage and tributes by Herb Alpert, Les Paul, Burt Bacharach and more. Contains exclusive footage not seen on the PBS broadcast. 1997/color/75 min/NR/fullscreen.
A doctor develops pills that make Hal a great tap dancer. Lola Green sees Hal dancing in a drugstore and asks him to join her vaudeville show. Everything is fine until Hal's pills disappear.
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt
An emotionally dysfunctional ukulele minstrel lands a gig at a nursing home where he strikes up an unlikely relationship with an ancient jazz chanteuse and awakens from a lifetime of loneliness and inconsequence.
A soldier stationed on an army base and his fiancé, who runs a women's "fat farm" nearby, want to get married but don't have enough money. Three customers of the "fat farm" scheme to get back at their philandering husbands by hiring the soldier and two of his buddies as "escorts" for the weekend. Complications ensue when the husbands show up unexpectedly.
This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.
Dee is a naive chorus girl living in a boarding house full of low-paid actors. Dee and Billy are in love and he helps her to move from chorus girl to star. Things run afoul when jealousy, misunderstandings and sleazy men enter the picture.
As Fraulein Leander prepares for opening night, her life is thrown into turmoil by a variety of romantic misadventures. But she manages to show up on stage at the appointed time, scoring a huge success.
Two small-town sisters who've come to New York City for very different reasons find themselves competing for the affections of a brash magazine photographer. Comedy.
Jack Oakie and Jack Haley are songwriters are enroute from New York to Hollywood to make their fame and fortune; Ginger Rogers, a lunchwagon proprieter, joins them.
As its title indicates, La Mort du Cygne (The Dying Swan) is set in the special world of the ballet. Young dance student Janine Charrat idolizes her teacher-role-model Yvette Chauvire, and will do anything to help Chauvire further herself.
Come Together: A Night for John Lennon's Words and Music was a 2001 television program tribute to John Lennon. It aired on TNT and The WB. Originally planned to celebrate Lennon's accomplishments, the concert took place on October 2, 2001 at Radio City Music Hall in New York City, shortly after 9/11, and exactly one week before the 61st anniversary of Lennon's birth. It was dedicated to "New York City and its people" and presented as a fundraiser for the Robin Hood Foundation.[1] The concert was named for Lennon's Beatles song, "Come Together".