During World War II, spy Wu Lai-sheung is instructed by her superior Fan Yeung-shan to murder spy number 13 Cheung Chi-ping. While Wu establishes a relationship with Sakei, the assistant general of the Japanese army, she also gets acquainted with Cheung. Cheung and Wu fall in love. Wu recommends Cheung to become Sakei's driver. Cheung pretends to court the Japanese spy Siu-kuen, but Siu-kuen arranges to kill the spies contacting with him. Cheung has seen through Kuen's identity for long. When Kuen is going to kill Wu, Cheung kills Kuen, Fan compels Wu to kill Cheung. Wu follows the instruction to murder Cheung. After the murder, Wu disappears. After the war, Fan discovers Wu ends up in asylum. When he visits Wu, he tells her of Cheung's innocence. This breaks Wu's heart. Cheung turns out to have seen through Wu's identity for a long time and pretended to have been killed to cover up his identity and facilitate his work. With the truth known and the war ended, Cheung and Wu married.
A story about last three days of the PE-2 soviet diving bomber crew - the three young men about 20: a former school teacher, musician and artist. Set during WWII.
1958: during the Russian campaign, a military priest is called upon to assist Private Baranowski, who has been sentenced to death for desertion, on his last night. It is also the last night before the departure for Stalingrad, which the soldiers know means certain death. The priest leaves his room to a captain so that he can meet his fiancée one last time. He himself remains in Baranowski's cell and struggles with his conscience and his emotion - even more so when he learns that the young doomed man committed desertion out of love. But the execution is carried out, and a member of the firing squad finds only cynical words for the soldier's fate.
The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
Young guys from different social strata, some of whom have a criminal past, are called up to the airborne troops. Sergeant Alexey Burov (Alexey Serebryakov) was appointed commander of a platoon of recruits. It is he who instills in inexperienced "sons" the skills of hand-to-hand combat, mutual assistance and army savvy in the ongoing exercises. And now the day of baptism of fire has come. A unit of paratroopers receives an order to help border guards neutralize a large gang of drug traffickers trying to illegally cross the border...
Follow soldiers Anton Lang and Werner Schmidt from the beginning of the first Courland battle in October 1944 to the capitulation and dramatic escape in May 1945.
The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...
The film recreates the heroic epic of the defense of Sevastopol in 1941-1942. The fall of 1941. Having broken through the defense at Perekop and seized Crimea, the fascist troops begin the siege of Sevastopol. The Soviet fleet is withdrawn to Novorossiysk. For the defense of Sevastopol remained only guns of ships, coastal batteries and several detachments of marines, the defense is led by General Petrov.
Two men from neighbouring villages – the Armenian Artavaz and the Azerbaijani Gadir – find themselves in the chaos of the conflict between their two countries. Brought together by a play of fate, they flee an incomprehensible war.
Carlyle Blackwell stars as an American in Germany at the outbreak of World War I. A mysterious stranger bursts into his room and proclaims him her husband. What's a gentleman to do? He poses as her husband to deliver "papers" to French headquarters. Adventure follows.
A taut wartime thriller, Red Crag: Life in Eternal Flame anticipates the paranoia and violence of the imminent Cultural Revolution while harking back to the aesthetic splendour of the Golden Age Shanghai cinema of the late 1940s. (This opulence is largely due to the work of cinematographer Zhu Jinming, the master visual stylist of Shangrao Concentration Camp and other key "Seventeen Years" films.) The film concerns a hard-boiled woman working in the Chongqing Communist underground during World War II, whose commitment to the guerrilla cause is only intensified after she witnesses her husband's head mounted on the city walls by the Nationalist forces.
The war units of the Hun Emperor Mete Han and the Chinese Emperor Gao-Zu, the father of the turan tactic used by the Turks for centuries, come face to face in the Battle of Baideng. The war genius Mete Han was going to surround the Chinese with an unexpected war tactic and inflict a heavy defeat on them.