A little bird tries to fly too soon and lands in Pluto's water dish. Pluto saves it and returns it to the nest but soon the bird tries again. This time, Pluto decides to give flying lessons, first pulling the bird like a kite, then launching him with an improvised slingshot.
Ever wonder who was the fastest Road Runner or Speedy Gonzales? This cartoon aimed to answer that all-important question between two of Warner Brothers' speediest characters. Of course, the race (set in an American desert) wouldn't be interesting without Wile E. Coyote or Sylvester trying to nab the bird and mouse. Both the hard-luck coyote and the puddy tat use a variety of tactics to grap their respective dinners, all which (of course) fail. In the end, Wile E. and Sylvester use a supersonic jet to pass their prey at the finish line (and "win" the race), but their vehicle quickly careens over the cliff. The poor puddy tat fall down over the cliff, just like Wile E. has so many times.
Nobita and his friends go on a rescue mission to save Giant and Suneo, who are held captive by an evil alien force. They form alliance with an interstellar army who also wants to defeat the villains.
After the last human has left the department store, the toys proceed to the music department where they start performing the Warren/Dubin song "We're in the money". The money soon joins for a chorus, as well as display dolls in the wardrobe department.
Bosko runs a movie theater that shows a wacky newsreel with Jack Dumpsey, a slapstick short from Haurel and Lardy, and a turn-of-the-century melodrama starring Honey.
On a tropical island, a native boy sings "Pagan Moon" to his sweetheart. Later, he plays music underwater with an octopus-pianist and other jazz-loving sea life.
Goopy, a dog of no particular personality, but a crackerjack piano player, plays several songs on the stage of a nightclub. We spend a fair amount of time watching the patrons and staff of the nightclub.
A train runs into a cow on the tracks; with the captain nowhere to be found, the fireman is forced to desperately improvise in order to keep the train going.
A boy falls for a princess, his cat for hers. But her father does not like the idea of a commoner marrying a noblewoman and kicks him out. After seeing a Rudolpho Valensino movie at the local theater his cat has the idea that he could try impressing the king as bullfighter, to win his daughters hand. Bullfighting is relatively easy, when you can hypnotize the bull, but why does his cat need new boots ?
A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.
A story about the fight for power told with the help of simple graphics. The huge building, the huge column hall, one chair around the chairman's board table is empty. We observe the fight for that chair: little men run and fight, all tricks are allowed.
Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings, old-master landscapes, short bursts of ‘real-time’ landscapes and shakily photographed gestural watercolors. … ‘a synthesis of all previous techniques.’