Somewhat based on Desmond Morris's fascinating book of pop anthropology, this partially animated satirical docudrama produced by Playboy Magazine publisher Hugh Hefner, traces the evolution of human kind and offers insight into the reasons why we behave the way we do. Though often dealing with sexuality, nothing in the film is terribly offensive or graphic. A prime example of mainstream experimental film-making from the early 70's featuring a young and breathtakingly lovely Victoria Principal.
Popeye takes Olive roller skating in a rink. She's never skated before, so he has to teach her, and she's not a quick learner. Before long Olive ends up outside the rink, rolling wildly out of control.
Porky's in the foreign legion. But he's not allowed to fight; all he can do is scrub camels, and he's not particularly good at that. The other soldiers ride off to find the evil Ali Mode, leaving Porky behind. Ali Mode notices, and tries to gain entrance to the fort, first by tricking Porky, then by tunnelling, then by military assaults, but Porky rebuffs all attempts, ultimately landing Ali Mode in a big vat of "Cairo Syrup" and collecting a chestful of medals.
An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.
Bugs Bunny gushes with excitement over the end of school, but while stopping to wonder why he's excited about this at his age, he runs into a tree and has a flashback to his youth, when he was just as excited about the end of school. But his nemesis, a young Elmer Fudd, is also out, and he's out to get the budding wascally wabbit.
Weslie and his crew discover an evil mechanical dragon who defeats Wolffy as he was attempting to capture the goats, but a series of good dragons rescue Weslie and the goats. The good dragons say that evil dragons have taken over their world, and they need the help of the goats.
Early slapstick short from Louis Feuillade involving runaways, except that, instead of it being a runaway horse (see Griffith's THE CURTAIN POLE for an example), it is a cartful of what appear to be hundred-pound pumpkins that get away, rushing hither and yon, down sewers, up chimneys, pursued by the drayer, a couple of other people and a very unwilling donkey.
Pero is back in Go Go Town, a fearful place in the Wild West that desperately awaits for a sheriff to come. In this town of no law and order, Pero and a boy named Jimmy try to help Annie, daughter of a saloon owner who has just been killed.
Porky finds out that Ali-Baba and his Dirty Sleeves plan to attack the fort; it's up to him to go warn the fort. He gets there to discover everyone has left for the Legion convention in Boston. Porky and his rented camel fend off the attackers themselves for a while, but when the situation gets dire, the young camel summons its mother. Momma takes care of the attacker that's menacing them. The secret weapon, who has been sitting on the bench with an artillery shell strapped to his head, now comes in, but runs right through the fort and into Ali-Baba.