A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.
This personal portrait of the British singer-songwriter, filmed by his cousin Murray Cummings, follows this modest performer’s creative process as he writes a new song from scratch that will entrance millions.
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
This 1920s home movie, shot by longtime Corpus Christi resident Antonio Rodríguez Fuentes, may well represent some of the earliest produced by a Mexican-American filmmaker about the Mexican-American community in Texas. The footage first shows Fuentes, his wife Josefina, and four of their children exiting their home. Then, Fuentes steps behind the camera to capture his son Antonio Jr. riding a tricycle.
This 1920s home movie, shot by longtime Corpus Christi resident Antonio Rodríguez Fuentes, may well represent some of the earliest produced by a Mexican-American filmmaker about the Mexican-American community in Texas. In the footage, Fuentes captures his five children-Ruben, Ophelia, Mercedes, Antonio, and Carmen-on Christmas Day 1928. The children surround the outdoor Christmas tree, playing with the gifts they received.
Wild Heart (Wildes Herz) is a portrait of Jan "Monchi" Gorkow, front man for the punk band Feine Sahne Fischfilet, and his campaign against racism and right-wing extremism.
What can be the quest of Alain Ducasse, the little boy of the Landes now become the chef and most recognized mentor of cooking in the world? What is a man looking for who already seems to have everything? 23 restaurants in the world, 18 Michelin stars, Alain Ducasse never ceases to create addresses that appeal to our time, to build schools, to push the boundaries of his craft to new horizons, his curiosity has no limit. He traveled the world relentlessly, for to him cooking was an infinite universe. This public man, however secret, accepted to be followed for nearly two years, thus opening us the doors of his universe, in perpetual evolution.
Once upon a time there was a large Finnish company called Nokia that manufactured the world’s best and most innovative mobile phones. Nokia’s annual budget was larger than that of the Government of Finland and their phones spread everywhere and changed the whole culture of communication. But then something changed. Film portrays the rise and fall of Nokia and the Finnish mobile phone industry. Nokia engineers, designers and managers tell their story about the creation, success and downfall of the Finnish mobile phone.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
A documentary chronicling The Tragically Hip during the emotional lead up through to the epic last show of the iconic Canadian band's now legendary 2016 tour.
Tension has long simmered between Turkish soldiers and Kurdish separatists in southeastern Anatolia and, in 2015, the conflict escalated into a military lockdown. Given the lack of media coverage, locals began filming the empty streets in single-take, one-hour clips which were posted to the internet and then vanished. Coinciding with this event is the falling of the Leonids, a spectacular meteor shower which emblazons the black skies with impermanent light.
An amazingly harrowing story of the 17 day engagement of bloody combat and heroic survival in subartic temperatures. UN forces largely outnumbered and surrounded, due to a surprise attack led by 120,000 Chinese troops.
Rich archive and emotional interviews are at the core of this telling of the turbulent life of British footballer Justin Fashanu. His coming out in an age of widespread homophobia not only damaged his football career, but led to the demise of his relationship with the brother with whom he shared a painful early history and a lifelong rivalry.
Known for his campy, totally funky music videos, Todrick Hall—a vibrant, lovable, and fabulously gay artist bursting with creative energy—takes you behind the scenes as he launches his most ambitious project to date: the original stage musical "Straight Outta Oz."
As one art scene insider proclaims, the contemporary art world can be summed up as “rich people trying to prove how rich they are,” but is that all there is to this billion dollar industry? Well-researched and expertly constructed, Barry Avrich’s eye-opening documentary peels back the layers of the art world economy- from production to circulation, and delineates every integral player in the game of art-making, including curators, gallerists, collectors, donors, auction houses, and … artists. In the process, he unpacks the complex and surprising ecosystem that supports the art world superstars and million-dollar deals that make front-page news. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.