From Lord Have Mercy to A Pimp Named Slickback, original comedy freak Katt Williams has made his mark inhabiting a hustler's gallery of fast-and-loose personae. This real-deal documentary tracks the actor's rise from young stand-up to BET staple. Along with never-seen footage from early stand-up performances and backstage glimpses of Williams at work, the film includes interviews with Jeremy Piven, Damon Wayans, Snoop Dogg and Kathy Griffin.
What happens when a film maker follows one of the world's biggest bands on a year long world tour? What happens when the film maker is granted unique access to that band, is present for the ups and downs, the moments of greatness and the periods of the same interview in 10 different languages in as many days? What happens when that band is Oasis, traveling across 26 countries on their biggest world tour to date playing to a total of over 2 million people?
A documentary featuring interviews with the people involved with the Zodiac killings, covering every aspect of the investigation, including the original investigators and surviving victims.
From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.
This video shows how the foreign policy interests of American political elites-working in combination with Israeli public relations stratgies-influence US news reporting about the Middle East conflict. Combining American and British TV news clips with observations of analysts, journalists and political activists, Peace, Propaganda & the Promised Land provides a brief historical overview, a striking media comparison, and an examination of factors that have distorted U.S. media coverage and, in turn, American public opinion.
This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. The film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
As always, Carvey never crosses the line into mean-spiritedness, but easily glides in and out of every impression & expression, reminding us of the huge talent we came to know and love before he left the scene due to his heart condition. It's a bittersweet irony that Dana Carvey is one comic who is ALL heart...
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
The Guinness World of Records contains the most bizarre human achievements imaginable. But who are the crazy people behind the feats? From the grape catchers, to the hula hoopers and the ‘jogglers’, this humorous, but strikingly insightful documentary introduces us to the colourful characters who devote their lives to the oddest frontiers of human excellence. A delightfully eccentric human odyssey that is not to be missed.
A colorful portrait of Miami's pot smuggling scene of the 1970s, populated with redneck pirates, a ganja-smoking church, and the longest serving marijuana prisoner in American history.
Filmmaker Christian Philibert takes a tongue-in-cheek look at his old hometown in this mock-documentary about a small French community and the people who live there. In Les 4 Saisons d'Espigoule, Philibert returns to the town where he grew up (and left when he was 25) to film the residents for a year. In addition to capturing Espigoule's annual Goat Rodeo and New Year's Eve costumes, the audience gets an inside look at the backbone of the local economy (sheep herding) and a night of big excitement (a bingo match). We also meet a few of the locals, who show off their talents (painting, classical piano, imitating Liza Minnelli). While scripted in advance by Philibert, the film was indeed shot in his hometown, and the "actors" playing the citizens of Espigoule actually do live there.
An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?
This documentary goes to coral reefs of the Bahamas and the waters of the Kingdom of Tonga for a close encounter with the surviving tribes of the ocean: wild dolphins and belugas, the love of a Humpback mother for her newborn calf, the singing Humpback males, an orca the mighty King of the ocean, and the gentle manatee. Little-known aspects of these creatures capable of sophisticated communication and social interaction. Documents the life of these graceful, majestic yet endangered sea creatures
Reveals an alternate history of the post-war world. This is a version of history where, in contrast to what we are all told, fascist ideology prevailed. The story of Klaus Barbie, Nazi torturer, American spy, tool of repressive right-wing regimes, is symbolic of the real relationship that the "Western" governments had with fascism and makes us see the world as it is today - and the politicians that inhabit it - in a different way.
Imagine a world in which people seem hostile while inanimate objects appear friendly – even affectionate. Imagine dreading the touch of another human but longing for a passionate encounter with a large public structure. This is the strange world of the "objectum sexual"– a group of people, mainly women, whose intimate lives revolve around objects with which they say they share romantic and sexual love. Erika is married to the Eiffel Tower. She has a passion for inanimate objects, and her mission is to fight the stigma surrounding the disorder and create a global network of sufferers - like Amy, in love with a church organ, and Eija Riita, who married the Berlin Wall.
The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee's Fist of Fury.
In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.