A humorous and provocative examination of one artist's dynamic work and its relevance within the cultural biography of America, documenting one man's journey as he traveled each of the 50 states to ask Americans of all races, shapes and body sizes to take off their clothes and pose in public, before his camera all for the sake of art. Artist Spencer Tunick's subjects are not paid models, but ordinary citizens. The film exposes America's current attitudes towards nudity, sexuality, body image, and all the other baggage that comes up when we take off our clothes.
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has been recently claimed as a boutique hotel venture for a management company that shows disregard for its formidable history. –Cannes Film Festival
Félix Mayol performs The Trottins Polka (La Polka des Trottins, by A. Trebitsch and H. Christine) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Mayol, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.
Anyone who has ever ventured to the "Land of the Deafs" will have been struck by the strangeness of the choreographed signs with which deaf people express themselves. Developed ages ago, these signs constitute a veritable language. As precise and subtle as speech, they are as effective as spoken language in making a declaration love or providing a detailed technical description. Jean-Claude, Jeanine, Eric, Cyril, Alain, Juliette, Guy, Aurélien and René have one thing in common - they are all profoundly deaf. So they dream, think and communicate in sign language. Which means that they see the world differently. Viewers embark with them on a discovery of the distant land of the deaf, where sight and touch assume enormous importance.
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.
At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
This is the story of more than four hundred Americans who participated in a bold and dangerous experiment designed to awaken the conscience of a complacent nation. These self-proclaimed, 'Freedom Riders' challenged the mores of a racially segregated society by performing a disarmingly simple act.
The Secrets of the Back to the Future Trilogy was a program hosted by Kirk Cameron. The show answered questions that Back to the Future fans sent in by letter. It was released onto videocassette in 1990 and as a bonus feature on the disc for Back to the Future Part III in the 2002 release of the Back to the Future trilogy. It is also available in the 2010 Blu-Ray trilogy.
Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
¿Y Tú, Cuánto Cuestas? (So, what's your price?), it seems to be the constant over this excellent documentary work, performed by Olallo Rubio, a young Mexican director. The movie shows two faces of the same issue: the American influence in the Mexican culture. you will remain thinking after the movie ends. Everything has a price? Everybody has a price?, so, What's your price?. Strong and ancient differences between two distant-neighbor countries are discussed under each opinion. Both Mexican and American-common persons give its particular point of view about the other, but also about themselves. Developed with a extremely low budget, but with inventive and imagination, this movie shows many of the key aspects in the Mexican-American relationship. However, the movie is not just a compilation of statistics, the producers manage to make it fun too. That's one of it's good points. But never the only one. Well developed, absolutely recommendable.
Postwar Japan as it is described by Etsuko, the manager of a bar catering to foreigners in Yokosuka. The way of life of a woman brimming with vitality, who skipped the countryside right after the war and, with her womanhood as a weapon, lived through atomic bombings, black markets, prostitution aimed at American soldiers and the Korean War. Inserting newsreels, Shohei Imamura depicts the history of twenty-five years in the Japanese postwar by way of the female body. (doclisboa)
These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.
Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.