Art, obsession and anxiety permeate a dilapidated Manhattan loft building in Mid-century: The first movie to use photographer W. Eugene Smith's massive, fly-on-the-wall archive of photos and audio tapes documenting the likes of jazz greats Thelonious Monk, Zoot Sims, Jimmy Giuffre, Hall Overton and others at work and play in the Sixth Avenue wreck that was Smith's home and studio from 1957 through the '60s.
Life hasn't been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best - people on the fringes of society.
For three months, the Dardenne brothers investigated independent local radio stations in Belgium, France, Italy and Switzerland. The result is a fascinating picture of the arrival of independent radio in Europe as a subversive alternative to the official media (public broadcasters and commercial mass media). To do this, the filmmakers spoke with pioneers. They also took an interest in the installations, such as hidden transmitters. One of them is a radio which broadcasts in the Alsatian dialect in order to protect a minority language. R… ne répond plus is a virtuoso work in which the Dardennes experiment with sound, only logical since the subject concerns radio stations. The film ends in an almost deafening cacophony of voices, static and other sounds that fill the airwaves.
At an exclusive Catholic boys school in Melbourne 1976, Tim Conigrave and John Caleo fell madly in love. Their passionate, tempestuous, operatic romance lasted for 16 years, facing disapproval, temptation, separation, and the looming shadow of the Grim Reaper. Their relationship has been immortalised in Conigrave's posthumous autobiography Holding the Man (now a major Australian film directed by Neil Armfield). This is the true story of how Romeo met Romeo and how first love can not only last but endure.
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Ten days of preparation for the Monte Carlo rally. The two Polish drivers battle with the technical shortcomings of the Polish Fiat 125 and overwhelming bureaucracy. They did not finish the race. An allegory of the country's industrial and economic problems.
The Many Adventures of Winnie the Pooh: The Story Behind the Masterpiece is a behind-the-scenes documentary narrated by Corey Burton on the making of The Many Adventures of Winnie the Pooh. It was originally made to commemorate the film's 20th anniversary, and was included with the film's subsequent home video releases. The special was made in 1996 by TV is OK Productions and was directed by Harry Arends.
The life, legacy and musical accomplishments of singer, musician, pianist, songwriter and Civil Rights activist, Nina Simone through interviews with over 50 of the subject’s friends, family, band members, lovers and fellow activists. The film has been called the best of the three Nina Simone films by The New Yorker Magazine.
A look at the War on Terror and the threat it's causing to our civil liberties and political discourse. Academy Award nominee James Cromwell presents Janek Ambros' directorial debut. The feature doc tackles the War on Terror's impact on civil liberties and the strange coalition it's creating between the progressive left and libertarian right. The doc examines the NSA, drones, the war on journalism and other encroachments on civil liberties started by the Bush era and expanded by the Democratic establishment.
The ferry crosses the river, transporting people from one shore to the other, from one country to another. It runs year round, never stopping. The footage was filmed on the Latvian-Belarussian border in the early 1990s - a time when the Soviet Union began to crumble and Latvia regained its independence.
Documentary that delves deep into the life and storied exploits of the iconic Death Row Records co-founder Suge Knight, as well as the volatile and highly influential era in gangsta rap he presided over. Through a series of interviewers face to face with director Antoine Fuqua, Knight reveals exactly how it all happened and why it all fell apart. Knight is currently in jail pending trial on murder, attempted-murder and hit-and-run charges.
This film tells the story of itinerant circus performers, cabaret acts and fairground attractions, showing rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment, chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. This rich visual archive has been created with exclusive access to The University of Sheffield’s National Fairground Archive and is accompanied by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.
Found memories decayed by the shock patterns of childhood trauma. This films is made mostly with footage found in the bin of an ophanage. The white progressivelly disolve within a darknest more and more dense. Faces progressivelly disolves within one another.
The unlikely story of 106-year old Chinese American artist Tyrus Wong, and how he overcame poverty and racism in America to become a celebrated modernist painter, Hollywood sketch artist, and “Disney Legend” for his groundbreaking work on the classic animated film, Bambi.
The elderly inhabitants of a village in Vojvodina look back on the war and the partisan battles. The film also examines how collective memories and myths enter the individual consciousness.
A shunter's job is to slow down, link, and unlink train wagons at a central station. The film documents - without any commentary - the working hours of few shunters at the shunting-station Dresden-Friedrichstadt, which was the largest such station in all of the former German Democratic Republic. They work day and night, amidst snow and fog at the railway tracks, speaking only as much as necessary.