Ballet portrays rehearsals, choreography, performances, business transactions, and other day-to-day life of the American Ballet Theatre. Much of the footage dates from the 1992 season. It also includes scenes from the company's European tour, namely in Greece and Copenhagen.
Michel Negroponte, a documentary filmmaker, meets Maggie one day in Central Park. Maggie claims to be married to the god Jupiter and the daughter of actor Robert Ryan. Michel gets to know Maggie over the next couple of years, and attempts to use her often outlandish stories as clues to reconstruct her past.
Chris Claremont’s X-Men takes an in-depth look at Claremont’s monumental run. Using high-profile interviews, the film explores the behind-the-scenes development of notable characters like Wolverine, Storm, and Phoenix, as well as the challenges of creating art within a corporate system.
Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
History tells us that Hitler died on April 30th 1945 by committing suicide with a single gunshot to the head; but what if history is wrong? Based on interviews with eye witnesses and years of dedicated research, this film dramatisation explores the possibility that Hitler didn't die in Germany at the end of the war, but instead escaped from Berlin by air and made his way to Argentina. This is the gripping story of what might have happened; the CIA s possible involvement, his life in Patagonia, the escape routes and the astonishing fact that Hitler may have had two daughters.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
"This is a film that not only documents a place in time, but a modern spatial vision, a look and technology that makes this street the sort of place it is. And here in this preserved piece of history, one also sees the chemical dance of film grain that makes up the material of Gehr’s own History. We do not simply see Market Street circa 1902, but a film of Market Street, and it is as fascinating as the site itself. Film may in some sense exist indifferent to emotions, objects, beings, or ideas. But early in his work Gehr realized that film, even conceived as a thing in itself, can never exist outside of history. The very dance of grain on the screen acquires a history of its production, its screenings, its viewings. History is the place no place can avoid.” - Tom Gunning
"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
A look at Benedict Yerofeyev, the elusive author of the Russian underground classic From Moscow to Pietushki, who has existed on the fringes of Soviet society for most of his life.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
The documentary focuses on images of women in advertising, in particular on gender stereotypes, the effects of advertising on women's self-image and the objectification of women's bodies.
A fictionalized day in the life of Anna Nicole Smith, revealing her innermost thoughts on the people (friends, servants, lawyers, photographers) and events (photoshoots, bathing, sexual exploits) that make up her life.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
Biography of the award-winning Argentinian leftist filmmaker Raymundo Gleyzer, who was kidnapped by the CIA-backed military junta in 1976 at the age of 35. Features extensive clips from his movies as well as interviews with the people who knew him.