Game producer Jun Imaizumi announced six new projects related to the smartphone game "Phantom of the Kill" during a Niconico live broadcast celebrating the game's one-year anniversary on Friday. One of the new projects is a 15-minute anime concept film. Naoyoshi Shiotani (Psycho-Pass, Blood-C: The Last Dark) will direct the concept film at Production I.G Fuji & Gumi Games' strategy drama RPG follows mysterious girls who carry the names of legendary weapons (such as "Masamune") as they search for their lost memories. The game allows players to collect characters and weapons, and enter dungeons to engage in turn-based tactical battles.
Gaiarth - a world devastated by a cataclysmic war, where pockets of humanity struggle to survive amidst the wreckage of technologies made magical by ignorance. Gaiarth - a world where artificially intelligent machines doggedly pursue their programmed imperatives: to protect, or destroy, humanity. Gaiarth - a world in which an old and terrible evil has reawakened, threatening to once again bring forth Armageddon!
In ancient times, minds and spirits dwelled in all the materials on Earth. At the end of a battle these minds dwelling in matter conquered the hostile matter of the enemy and multiplied. Sacred wars gave birth to the Elementalors. Fierce battles between the Elementalors raged continuously in the struggle to create a new utopia.
One day Pop was out scavenging with Hana, and found a beautiful rose inside the Queen's garden. Curious, she picked the rose and brought it home. Unwittingly, that rose can cause all wishes to become true, whether good or bad. Good wishes will turn the rose white and bloom, while bad wishes will turn the rose black and wither. After a heated argument with her sister Doremi, Pop wishes that Doremi loses all her magic and be turned into a mouse. Hilarity ensues, as Doremi and the others try to put everything back to normal.
In order to win the hand of a princess, a man must defeat an evil dragon and claim its treasured magic stone. Upon his return, Baghdad has been invaded and he must use the stone to defeat his new enemy.
A man who is struggling with life's daily problems, especially his troublesome wife, accidentally runs into a man who makes bills that change human behavior, and his life changes.
Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).
After the sudden death of his wife, Ezequiel lives sad and resigned in solitude. Until the day that an extra-terrestrial being appears in his life and changes the color of his destiny.
Siblings hide their ownership of a bordello from their mother. When she is visited by a man who shares the joys of sexual enlightenment with her, her entire world is turned upside down.
Sally, 17, is locked up at Teenland, a prison-like institution for teens who are so fucked emotionally that they have developed supernatural powers. The mission is to normalize the misfit teens and Sally accepts the premise that she is sick and abnormal. But when a rebellious girl instead encourages Sally to embrace her strength, their friendship could change everything.
In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.
A sad Arabian queen is cheered by her attendants, a Queen Bee rules over a hive of adoring drones, and a teenage girl is transformed into a queen in a colorful musical fantasy inspired by old Hollywood musicals.