Framed by Major Jenkins, Capt. Travers is kicked out of the Army. When Travers, now living with the Indians, is captured by Jenkins, the Indians attack the fort. With his men greatly outnumbered Colonel Burke realizes that Travers is their only chance.
A Mexican is thrown out of a bar by a young prospector and swears to get even. Later, he kidnaps the prospector's wife. In the meantime, a group of drunkards shoot and kill an old Indian; The son, a brave, vows revenge and asks the tribal chief for help. When the Indians attack both prospector and Mexican, these two make a temporary truce and join forces against the common enemy.
Brade has hired Rattler Haynes to kill Tom Shaw. But when Shaw intercepts a message between the two, he alters it hoping it will cause the two outlaws to fight each other.
Despite past friendliness, cattle ranchers Tom and Jim Bledsoe, father and son, fence off their range to prevent its use by neighboring sheep ranchers Tug Wilson and Buck Rankin, suggesting that they hope to end their recent loss of cattle. Rankin (not Rankins) shoots Tug, who is unaware of Rankin's lawless activities, in an argument and Jim is accused of murder and also stampeding the sheep. Believing Jim is guilty, Tug's daughter, Ruth, aids Buck in capturing Jim, but he escapes. Ruth gets help from Sheriff Hank Bosley, and a sheepherder, Sanchez, reveals Rankin's responsibility for both the rustling of Bledsoe's cattle and the killing of Wilson.
Its time for the big race and its the Rambling Kid riding Dynamite versus Wilson's horse Thunderbolt. When Gyp informs Wilson that Lightning is faster, Wilson has Gyp drug the Kid's coffee just before the race.
When the woman he loves commits herself with another, Joe, a ridiculous huaso who thinks he is a cowboy, steals from him a valued horse in which he embarks on a journey where he meets singular characters who convince him to fight again for her.
The young Uguccione is mistaken for Rascelito Villa called "C6", a dangerous revolutionary, and then immediately sent to Parazuela where he leads the insurrectionist troops.
Sheriff Pat Halahan comes into an inheritance and travels to San Francisco to collect. Faith O’Day, a cat burglar armed with pistol and flashlight breaks into his hotel room and demands that Halahan cough up his dough. Halahan sees her threat and raises her a one-dollar bet that he can return a brooch she stole earlier the same evening before its loss is discovered. Pulling off his boots to slip on his own “soft shoes,” Halahan sets off to do a little second-story work, not realizing the trouble he’s in for.
Zerzura is a feature-length ethnofiction shot in the Sahara desert. Mixing folktales and documentary, the film follows a young man from Niger who leaves home in search of an enchanted oasis.
After interviewing three Kingsbury locals, director Cait Davis used the audio from their interviews to create a stop-motion animation where the construction of each puppet “actor” is influenced by the content of the interview stories. From the inside of a fabricated miniature honky tonk bar, each character shares a story of their rural American home-town; examining small-town lore and the importance of embracing humanity's rich and textured history viewed through the lens of Kingsbury, Texas.
Directed by Independent filmmaker Jamie Sharps (Tucker's Crossing), this thrill a minute action/comedy simultaneously pokes fun at the zombie genre and pays homage to the spaghetti western films of the 1960's and 70's. All Kyle Brew ever wanted to do was to be left alone, but his life changes forever when he meets up with "Zombie Boy". After being injected with a deadly green serum, Max transforms into a beer chugging Zombie and Kyle is forced to take him under his wing. Kyle's deadbeat dad Dusty Brew shows up after being kicked out of his retirement home and to make matters worse the boys are spied on by a pistol packing blond named Porsche. Frank, one of the most hateful and despicable villains to ever walk the Earth, invades Kyle's farm with his army of ski mask maniacs and a killer named Mr Greenfield. A climactic shootout and epic duel will keep audiences glued to their seats to the very end.
Wild Horses tells the story of Mills, an established LA photographer, who returns to her native Nevada following an urgent call from her grandmother informing her that a band of wild horses close to their hearts, faces government roundup. In this story, that spans just one day, cruelty, courage, love and memory collide as two generations of women bear witness to the brutality common to wild horse roundups in the American West. Mills is exposed to a complex issue and follows her heart, choosing to ignore the consequences.
Bounty hunter Dalton (Lito Lapid) and merchandizer-turned-sheriff Wild Bill Hika (Dolphy) are two of the most effective crime fighters in the West, and their existence in Bronco Town ensures its peace and order. But the two realize that the town's most dangerous menaces are Oligario (Tony Carreon) and his son Facundo (Romy Diaz), whose firm belief in their being above the law make them confident that they can take over the property of rich miner's heiress Estrelita (Yehlen Catral). Can Dalton and Bill save Estrelita--and the rest of Bronco Town--from the clutches of Oligario and Facundo?
This animated precursor to music videos was made on commission for the American company Rembrandt Films. It illustrates an American folk song of the Old West.
Jimmy and Cannonball escort Anne Lamont, the new school teacher, to Oreville, where she is molested by two outlaws. Marshal Blackjack Flint wounds Slade, who tells Derringer that lawman Flint is wanted by the law and, unknown to Anne, is also her father. Derringer than kills Slade and begins to blackmail Flint. Jimmy and Cannonball join the fray on the side of Flint, the reformed outlaw.
Mr. Joseph Close, ranch man, with his wife and daughter, visit the town for supplies. The daughter makes a hit with the storekeeper and it is with difficulty that the ranch man induces his daughter to leave. They return home, and the ranch man finds a letter in his mail box from Wm. Schrider, Attorney-at-Law, informing him that his brother is dead, and has left the sum of three million dollars to his daughter, on condition that she produce an official certificate of her marriage one month from the date of her uncle's death.
Iola, the little Indian girl, is held captive by a gang of cutthroats but is soon rescued by Jack Harper, a prospector. She is truly grateful to Jack, and regards him as something different from other white people. Jack's sweetheart and her father are travellers in a wagon-train headed for this place, and, not having much luck so far, he is somewhat gloomy. Iola learns the reason, and promises to help him find gold. "Will you?" he says, "Yes." "Cross your heart?" This cross-your-heart action mystifies Iola. She thinks it is a sort of tribe insignia and tells her people that "Crossheart" people are all right. Iola surely pays her debt of gratitude, not only in finding gold, but in giving her life to protect Jack's sweetheart from her own people.