A man with a bounty on his head joins a game of high stakes poker against three strangers who bet with more than just money and have plenty of time to kill.
The Goddess, the prettiest and best-natured girl that ever graced that little mining town, meets the tenderfoot prospector and leaves him another worshiper of her. His chances, however, are slim for Blue-grass Pete has won her affections, he having at an opportune moment saved her from the fangs of a snake which was about to attack her. Pete's affections turn to the Goddess's sister, while Pete's friends plot to rob.
Tells about an accidental death in a remote village in the northwest, which involves a series of sudden murders and "suspects": village doctor Liu Xinshen, psychology student Liu Yun, and Liu Xinshen's wife Kang Xiaoyan, Chen Quan, who was accidentally killed in the countryside, and the villagers who had a grudge with Chen Quan, etc., who is the unsolved murderer? What choice will the protagonist and village doctor Liu Xinshen make after experiencing two moral tortures in his life? The film focuses on the conscience and selfish desires of human nature, and explores the meaning and value of life.
Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze. At night Blaze turns Dusty's apprentices into horses and rides them all night long, Finally, Cassidy, the clever apprentice hatches a plan. A psychedelic trip wrapped in a queer western, Stinkhorn is a magical who-rides-who tale with a twist. Combining live action, drawings, miniatures and animation, Stinkhorn is the second story in, Fairy Fantastic!, a gender diverse folk and fairy tale series.
A series of 25 2-reel Western thrillers in which a cowgirl aids the cause of justice and humanity in the Old West, often aided by her fiancé and her rancher father. Each episode tells a complete story in itself.
Famed romantic filmmaker Frederick Curtis is shooting a film about Geronimo just outside the Long Horn Saloon. Frustrated with the unconvincing performances of his lead actor, he pulls another young sexy Cree man into the role. Jealousy ensues as Curtis alternately gushes over the two Cree boys as he manipulates them into broad Hollywood caricatures. A “Lonesome Rider” intercedes, teasing the action to a tragic twist, which forces the boys to take control of Curtis’ film.