Set amongst the unlikely backdrop of cowboy boots, rodeos, and global geopolitics, thirty of the world's most promising musicians travel to Fort Worth, Texas to compete in the renowned Van Cliburn International Piano Competition. Vying for gold and their shot at classical piano stardom, the contestants must endure six grueling performances, multiple elimination rounds, and a discerning panel of jurists. Behind the scenes, we uncover the stories of adversity, sacrifice, and heartbreak driving the pianists to perform at the highest level. As fan favorites and early contenders are eliminated, one unassuming genius rises to the top.
Shotgun Suge (played by himself) is an ex-drug dealer who turns his life around to pursue his promising career as an entertainer. But he had a past before his success. He grew up with Pop (Ali Rawls), who recently came home from prison. He wants revenge for the death of his brother Zay (played by 280 Zay). Pop is eager for revenge and stops at nothing for the answer to who murdered his brother. Pop learns the killer is a childhood friend from the neighborhood, Suge. This creates a war; a violent business that will test loyalty and respect as it gets dangerous beyond control.
Join Baby Shark, Pinkfong, and Hogi in their exciting new adventure as they set out to create the most delicious ice cream in the world. Just before the final touch, the perfect topping, Gingerbread Man dashes away.
During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band's journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.
A young man is forced to confront his limitations, face the ghosts of the past in order to unite a fractured community and realise his dream of leading his town's Christmas Choir Band to former glory.
Four people at a crossroads in their lives who meet by chance in Amsterdam. The city becomes their magical dream world, seemingly offering opportunities and answers to a key moment in their lives.
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.
In this concert from his great European tour Duke gives a big band concert to be remembered in Brussel’s Marni Theatre. Featuring star soloists Money Johnson on trumpet, Paul Gonsalves on saxophone, and Joe Benjamin on bass, and even a surprise appearance from singer Anita Moore, this recording is another gem in the Duke’s discography and a must-have for fans.
With participation of John Cage, Earle Brown, David Tudor, Gordon Mumma, David Behrman, Max Neuhaus, Morton Subotnik, Phil Corner, Joe Jones, Alvin Lucier, Steve Reich, Philip Glass, Ben Patterson, Wolf Rosenberg In 1971 we produced, in association with West German Television, a documentation on New York’s musical avant-garde. It was broadcast only in Germany at the time. By 2010, after nearly 40 years, it seemed desirable to recycle the performances and interviews with the composers and to create a revealing look back to those years for English-speaking New Music fans. The film offers valuable insights into the nature and issues of advanced composition at the beginning of the 1970s.
In 1971, Bruce Iglauer founded Alligator Records, the most successful modern blues label. In early 1992, Iglauer staged the Alligator Records 20th Anniversary Tour starring Koko Taylor, Elvin Bishop, Katie Webster, Lonnie Brooks (w/Ronnie Baker Brooks), and Lil' Ed and the Blues Imperials. Director Robert Mugge's film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, documents that exciting tour.
With their clever, surrealistic lyrics, inventive use of sampling and incorporating an eclectic mix of reggae, funk, jazz, fashion and psychedelia into their sound, New York-based DE LA SOUL are one of the most original and influential groups on the hip hop scene. Hailed on their arrival on the scene in 1989 as the future of hip hop, De La Soul were quickly perceived as the leaders of a contingent of New York-based alternative rappers who dubbed themselves The Native Tongues Posse. This movement for a while looked as if it was going to eclipse hardcore hip hop in terms of popularity. This concert, filmed at the 1997 Lokerse Festival, features their big hits 'Me, Myself And I' (with its sample of Funkadelic's '(Not Just) Knee Deep'), 'Ring, Ring, Ring' and 'Breakadawn'.
OMAR SOSA'S 88 WELL-TUNED DRUMS is a feature-length documentary on the life and music of Cuban-born pianist and composer, Omar Sosa (b. 1965). Multiple Grammy-nominee Omar Sosa is one of the most versatile jazz artists on the scene today.
In this musical pseudo-documentary, a photographer in Berlin follows a homeless street musician for six months. She does it with the intention of turning him into a star.
On the heels of a tragedy and the COVID-19 pandemic, a Dallas-based theatre troupe comprised of people with intellectual and developmental disabilities are determined to write, rehearse, and perform their 11th annual original musical.
Filmed on the eve of the release of the Abbey Road LP-the last Beatles album to be recorded (although Let it Be was the last Beatles album to be released)- this is the only performance ever caught on film of John Lennon & The Plastic ONO Band. John and his wife Yoko Ono, guitarist Eric Clapton, bassist Klaus Voormann and drummer Alan White traveled to the Toronto Rock ʻNʻ Roll Revival. Other guest performances were Bo Diddley, Jerry Lee Lewis, and Little Richard.