But I, being poor, have only my dreams. I have spread my dreams under your feet. Tread softly, because you tread on my dreams... So begins Deborah Warner’s captivating 2008 production of Purcell’s timeless opera Dido and Æneas: a careful warning that suits the tragic story only too well. Swedish mezzo-soprano Malena Ernman as a disarming Dido is at the head of a stellar cast joined by Les Arts Florissants under William Christie’s direction.
In 2009, Frédéric Mistral’s tale of love and loss in Provence came to the Opéra de Paris with a new production of Gounod’s 1864 opera Mireille. Nicolas Joel’s naturalistic staging frames the accomplished performances of Albanian soprano Inva Mula as Mireille and American tenor Charles Castronovo as her ardent country lover Vincent.
Dollhouse: The Eradication of Female Subjectivity in American Popular Culture charts the rise and fall of fictional child pop star Junie Spoons as her life story (and the ensuing disasters) unfolds, as told by those who knew her. Set in the bubble gum pop world of Britney Spears and Lindsay Lohan and told a la VH1's Behind The Music, Junie's story tops itself one scandal after another as she rockets to international stardom and then faces the aftermath of a life under scrutiny.
This music special is dedicated to dispelling the prejudices associated with the HIV infection and raising money for AIDS research and relief. Some of today's most celebrated recording artists performing their interpretations of the classic songs of Cole Porter.
In celebration of her upcoming new album Hymn, best-selling soprano Sarah Brightman is in cinemas with an incredible performance. HYMN: Sarah Brightman In Concert was captured live for the big screen from the Festspielhaus in the enchanted Bavarian Alps, known for the historic and captivating Neuschwanstein Castle. Staged in two acts, the performance is a hybrid of a musical film, a classical-crossover program and a large-scale concert production. Brightman is accompanied by her band, the Munich orchestra, a 50-voice choir and the Ludwig Ensemble of dancers. The concert was conceived and created by Sarah Brightman, Anthony Von Laast (Mamma Mia, Beauty and the Beast), and Frank Peterson (Enigma, Andrea Bocelli). Filmed using state-of-the-art video and audio technologies, cinema audiences will also enjoy an exclusive “making of” feature.
When Raja discovers his face is identical to a wealthy and successful doctor he manages to take his place, but soon he discovers that success is no guard against problems.
An intimate glimpse at songwriting and the balancing of life versus passion as Sarah Shook and her band of seasoned virtuosos, The Disarmers, head into the studio to record their new album Years, and prove they have what it takes to shake up country music.
Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”
Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.
When the bespectacled alt-country legend took to the stage at The Factory Theatre in Sydney, Australia armed with just his bouzouki and larger-than-life attitude, every ear in the place was in the palm of his hand right from the get-go. Planting himself by the microphone in front of a hushed crowd, Earle kicked off proceedings with the sprightly ‘Waitin’ For The Sky to Fall’.
A duo of cover singers get lost in a forest and meet a mysterious Entrepreneur - Shamanic who will guide them down an intricate path where ancient wisdom, environmentalist Marxism, and business marketing intersect.
Facing a mid-life crossroads, two longtime friends risk everything as they set out to fulfill their dreams of achieving rock and roll stardom. First and last chances happen only once.
With over two hours of footage covering the band's 10 year history, "All Access" provides an insightful and entertaining glimpse into their rise to stardom. It includes never-before-seen historical footage from the band's personal archives, as well as backstage footage, live performances, and unforgettable music videos.
A medical scare sends a forgotten musical icon back to Los Angeles blowing up the lives of his sister struggling to find her own spotlight, along with the one who got away. Now, facing what’s left unsaid is the only way to put the pieces back together.
Captured February 15-Feb 2017 at the band’s sold-out concert at Glasgow’s historic venue Barrowland Ballroom, the two-hour “Kings Among Scotland” incorporates the band’s entire live show. The concert is presented in two parts. For part one, Anthrax performed the “favorites” that had been voted on pre-show by the band’s fans and includes gems like “Madhouse,” “Be All, End All,” “Breathing Lightning,” and “A.I.R.” The band augmented the stage production for part two, with ramps and staircases and other production values while they tore into their classic 1987 album Among The Living, performing “Caught In A Mosh,” “I Am the Law,” “Indians,” “Eflinikufesin (N.F.L.),” and more. “It was a pretty intense show,” added guitarist Scott Ian, “especially when the crowd was so insane, the floor actually started moving up and down.”
A 1932-born hard-working poor black man from the Mississippi backwoods becomes an internationally acclaimed Blues star after he releases his debut album at age 81.