Fred, a photographer, is in Tunisia to report on the « Bezness » (male prostitutes). Thanks to Roufa, Fred will discover this surprising environment where young men are confronted with the contradictions between tradition and modernity.
Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.
War on Whistleblowers: Free Press and the National Security State highlights four cases where whistleblowers noticed government wrong-doing and took to the media to expose the fraud and abuse. It exposes the surprisingly worsening and threatening reality for whistleblowers and the press. The film includes interviews with whistleblowers Michael DeKort, Thomas Drake, Franz Gayl and Thomas Tamm and award-winning journalists like David Carr, Lucy Dalglish, Glenn Greenwald, Seymour Hersh, Michael Isikoff, Bill Keller, Eric Lipton, Jane Mayer, Dana Priest, Tom Vanden Brook and Sharon Weinberger.
The poignant story of nine-year old Eve, a street savvy orphan, who crosses paths with Dave, a man-child, accidentally on the run from the law. Dave embarks on a mission to help Eve reunite with her older brother, and consequently clear his name along the way.
The death of John Kennedy is viewed through another angle in this conspiracy-themed film defending the theory that George Herbert Walker Bush was a key player in all aspects of the assassination of American president John F. Kennedy.
A young woman visiting in Mexico is kidnapped by a gang of bandits, who drag her through the rugged wilderness to their hideout. She manages to leave word for her friend Bill, who knows the country well. But when Bill cannot find a horse, his only available form of transportation is his roadster. Nevertheless, he is determined to come to her rescue, even though it means trying to drive the car across miles of rocky, broken terrain.
Fifteen years ago, their Washington Heights neighborhood was dubbed the crack-cocaine capital of the world, but today it is transforming into one of the most vibrant, Spanish-speaking communities in the United States. While the drug dealers continue to disappear, their violent legacy still casts a shadow over the neighborhood and its residents. Junior, an ex-convict struggling to get his life back on track, is a product of this legacy. His younger brother Manny, the salutatorian of his high school class, embodies the hope of the future. On the night of his graduation party, Manny finds himself faced with an ill-fated decision that could change his life forever
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Professor McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love. When Sally is arrested McGargle proves her real parentage.
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.
In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.
Being in the World is a celebration of human beings, and our ability, through the mastery of physical, intellectual and creative skills, to find meaning in the world around us. This film takes us on a gripping and surprising journey around the world meeting extraordinary people, showing how we go from following rules to proficiency, to becoming masters in the form artists, craftsmen, athletes, and, ultimately, unique human beings attuned to the sacred.
Hedwig, a young wealthy woman growing up in the straight-jacket of bourgeois morality in the Victorian era, descends into madness after years of sexual repression and tragedy.
Wisconsin—birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan—becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.
A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the classic buildings. From the preservation rooms through the frame and painting retouches by experts, to the personnel instruction on how to be efficient in protecting the collections, and look nice to the visitors.
Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson