From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution.
In rural Virginia, six killers have done the unthinkable and escaped from death row. The men are running free. Police are in a race against time to track and capture the fugitives before they kill again.
Tala Madani (b. 1981, Tehran, Iran) makes paintings and animations whose indelible images bring together wide-ranging modes of critique, prompting reflection on gender, political authority, and questions of who and what gets represented in art
Featuring over 40 minutes of vintage performances by the world's greatest gospel singer, this is Mahalia at her most powerful, singing the beloved songs of the holiday season.Originally intended as musical vignettes for CBS's 1960-61 television season, this beautiful footage has been digitally remastered for optimum sound and picture quality form the original 16mm Kinescopes.
After a debt-collector finds a portal to hell in a washing machine at his local laundromat, he’s propositioned into feeding it sinners to save his neighbor’s soul, maybe even at the expense of his own.
In the midst of the economic meltdown, 'Gaining Ground' explores the innovative, grassroots organizing efforts of the Dudley Street Neighborhood Initiative (DSNI) in Boston. Over the course of two years, we watch a new generation of leaders working to prevent foreclosures and bring jobs and opportunities for young people to one of the city's most diverse and economically challenged neighborhoods. DSNI was created 25 years ago when the community had been devastated by bank redlining, arson-for-profit, and illegal dumping, and has become one of the preeminent models for community-based change.
Remembering Yayayi reflects on a pivotal moment in the history of Pintupi people through a body of archival film. In 1974, filmmaker Ian Dunlop visited Yayayi, a remote community in Central Australia. The Pintupi people had recently moved there to get away from the difficulties of living at the larger permanent government settlement of Papunya. Dunlop had come to Yayayi to follow up on the lives of people he had photographed ten years earlier as they were leaving their Western Desert homeland for the first time. He never made a film with the material he shot there and Yayayi has long since been abandoned.
All of the rejected material from MAYA DEREN’s simplest and purest film offers the student of cinema and those interested in MAYA DEREN a vivid lesson in how she constructed a film. When shown together with a completed film it provides a model for economy in editing. – Anthology Film Archives.
A look at the swelling wave of efforts to disenfranchise voters across the U.S. using the 2018 Georgia gubernatorial race between Stacey Abrams and Brian Kemp as a case study for understanding America's restrictive measures in 2024. Through personal stories of voters in battleground states, this film is a rallying call against the calculated, unconstitutional, and racist attacks intended to destroy democracy in the United States.
A perished world. People have forgotten the song and the singer, but Miracle heads to the collapsed concert hall to convey the hope of life to people with her favorite song, and such Miracle is blocked by her past and partner Sink. You have to take off your gas mask to sing, but the virus is dangerous because it spreads through the air.