When The Bough Breaks is a feature length documentary about postpartum depression and perinatal mood disorders. When actress Tanya Newbould experienced PPD with her daughter she did not understand what was wrong with her or how to go about getting help. Tanya teamed up with Director Jamielyn Lippman to uncover this illness that affects one in five new mothers. One of the women they interviewed was Lindsay Gerszt who was currently suffering from postpartum depression. Lindsay agreed to let the cameras document her and give us an in depth look at her path to recovery. Babies are dying, women aren't speaking out and the signs are being missed. Together these three women take us on a journey to find answers and break the silence.
Simba: The King of the Beasts is an 1928 American black-and-white silent documentary film, directed by Martin and Osa Johnson, which features the couple's four-year expedition to track the lion across Kenyan veld to his lair.
A rare archival short, Queens at Heart follows four shockingly courageous pre-Stonewall trans women, Misty, Vicky, Sonja, and Simone. They go out as women at night, but live as men during the day, take hormones, and dream of “going for a change.” Subjected to a six-month psychological project, and cross-examined by dubious “experts” all four women are incredibly captivating subjects—whether being interrogated or partying at the ball.
Bettany Hughes goes in search of this lost civilisation, revealing the story of a city founded out of the desert by Alexander the Great in 331 BC to become the world's first global centre of culture. The documentary also looks at the role of astronomer and philosopher Hypatia, and incorporates stunning footage from the feature film 'Agora'.
This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.
Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America's farmers - real people who, along with him, are grappling with the moral dimensions of farming animals for food.
Being and Becoming explore the choice not to school ones children, to trust them and to let them learn freely what they are passionate about. Through four countries, the US, Germany (where it's illegal not to go to school), France and the UK, the film is a truth quest about the natural desire to learn.
During President Obama's terms extreme energy extraction grew faster than anyone could have predicted, putting the 17 million people in America who live within one mile of a new gas or oil rig in harm's way.
On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.
Indianapolis has one of the lowest high school graduation rates in the country. Night School follows three adult students living in the city’s more impoverished neighborhoods as they attempt to earn their diplomas while juggling other difficult responsibilities and realities. Through their stories, the filmmakers explore many issues that low-income Americans deal with, including unjust minimum wage and working conditions, arbitrary legal hindrances, and race and gender inequality.
In Torre del Lago, by Lake Massaciuccoli, Puccini is writing "The Girl of the Golden West" when his wife Elvira accuses him of a dalliance with their maid, Doria Manfredi, a young women from town. Although the maestro is frequently unfaithful, he denies the affair; Elvira insists she's right and publicly hounds Doria. Between scenes in this domestic drama that turns tragic, we watch a Scottish company rehearse and stage "Turandot," Puccini's last opera. The film finds parallels between the two stories and suggests that in the opera, Puccini expresses love for his wife and guilt in Doria's fate. Three local gentlemen provide a spoken chorus as Puccini's score plays throughout.
During the Great Recession, joblessness exceeds 20 percent east of the Anacostia River in Washington, DC. City of Trees follows the intimate stories of Charles, Michael and James, three long-term unemployed residents struggling to gain employment through 'shovel ready' green projects. When stimulus dollars run out, short term idealism clashes with day-to-day survival in the struggle to find a sense of purpose and place in a recovering economy.
A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.
This documentary records Hoaas' personal encounter with the closed society of North Korea. As with her earlier work, Hoaas approaches her film as a cumulation of fragments encompassing different perspectives that together offer a point of entry into a complex society. Her diary-style narration signals her limited personal perspective into this culture, especially given the brief filming period and her difficulty in breaking through the facade of the showcase version of Korea insisted upon by her official guides. Hoaas' restricted visual access, and her reluctance to present over-familiar images of the hardship and depravation informed her decision to use this narrative device to frame her film within the context of the famine crisis that began in 1997 following the failure of crops caused by two consecutive years of heavy flooding.