Like other healthcare industrial complexes, the mental health field operates around a centre defined by a whiteness of theory and practice. It’s a colonization that has rarely ever been questioned.
Explore the stories of women caught up in World War II, from the American Home Front to Auschwitz Concentration Camp in Poland. Included in this hour-long film are also the personal stories of the incredible women who served in a war that proved women were equal to men when it came to patriotism, service, or in some cases, self-preservation during watershed moments which called for steadfastness.
This short documentary follows the daily lives of Israeli citizens Regina and Nathan Ofan who have been married for over 50 years. Regina, a Zionist who moved from New York to Israel in her 20s, has been a liberal her entire life. Nathan, on the other hand, left a very religious household in Jerusalem and leans to the right in his political views. When the latest conflict between Israel and Hamas starts to escalate, so does the tension between the couple. Filmed in the comfort of their apartment, Regina and Nathan’s arguments and intense dynamics unveil the frustration and hopelessness of the vast majority of Israelis, who have come to accept these wars as part of their everyday reality.
Since the 1970s, Switzerland has been characterized by a sometimes controversial, sometimes innovative drug policy that has become a model for other countries around the world. Using archive footage and interviews with contemporary witnesses - politicians, social workers and former drug addicts - the film reconstructs key moments in this turbulent chapter of national politics.
The Atlanta murders of 1979–1981, sometimes called the Atlanta child murders, were a series of murders committed in Atlanta, Georgia, between July 1979 and May 1981. Over the two-year period, at least 28 children, adolescents, and adults were killed. Wayne Williams, an Atlanta native who was 23 years old at the time of the last murder, was arrested, tried, and convicted of two of the adult murders and sentenced to two consecutive life terms.
After a long battle with depression, Queensland rare chicken breeder Mark Tully is now on a mission to protect the endangered chickens to which he owes his life.
This documentary traces the alteration, through economic and political influences, of the Parker Hill area of Roxbury in Boston. An ethnically mixed family neighborhood, at present largely Irish Catholic, is now the location of a racially tense public housing project (named Mission Hill for a local church) which is occupied mainly by blacks.
Autism in America: Putting the puzzle together, one beautiful piece at a time, is a genuine and straightforward look into the Autism Spectrum Disorder as told by the families and individuals living with Autism daily. Many parents are interviewed including Ruth Sullivan, Ph.D., the mother of a man named Joe who was the inspiration for Dustin Hoffman’s autistic character in the movie “Rain Man.” We also hear from a young woman named Alexis, the first autistic person to run for the title of Miss America.
In the last four years of his life, Lionel Murphy was at the centre of an historic battle to retain his position on the High Court in Australia. While the film concentrates on this period and the events leading up to it, in a wider sense, it uses the dramatic story of Murphy as a vehicle to consider some more fundamental issues about law. The film tackles the problem of police and security surveillance of the individual in Australian society and in particular, of prominent political and legal figures.
David Malone asks if we are right to see the heart as merely a brilliant pump or whether it should be allowed to reclaim something of its old place at the centre of our humanity. The heart is the most symbolic organ of the human body.
Edward Said's book Orientalism has been profoundly influential in a diverse range of disciplines since its publication in 1978. In this engaging and lavishly illustrated interview he talks about the context within which the book was conceived, its main themes, and how its original thesis relates to the contemporary understanding of "the Orient" as represented in the mass media. "That's the power of the discourse of Orientalism. If you're thinking about people and Islam, and about that part of the world, those are the words you constantly have to use. To think past it, to go beyond it, not to use it, is virtually impossible, because there is no knowledge that isn't codified in this way about that part of the world." -Edward Said
A documentary essay balancing between irony over national stereotypes in general and a nostalgic flow of cultural associations from the director's memories: Russian nursery rhyming stories, the only Mordovian words she knows from her mother, school counting rhymes with German verbs, Tatar songs by her mother-in-law, quotes from some soviet poems, scenes from the opera "Eugene Onegin", the old anthem of Kazakhstan, which she memorizing for her district administration, and much more.
Vong Phaophanit showed his strikingly seductive Neon Rice Field when he was nominated for the Turner Prize in 1993. Like much of his rich and complex work since then, this installation exhibits a strong interest in language and light, in the painterly qualities of ephemeral materials and in ideas of cultural displacement. He was born in Laos, educated in France and has worked mostly in Britain since the early 1990s. Much of his work now is commissioned for architectural and environmental settings, including Outhouse in Liverpool. Created like many of his large-scale sculptures with fellow artist Claire Oboussier, this is a transparent glass house (with opaque windows) which serves as a flexible social space for the people who live in the surrounding tower blocks.
Stuart Brisley is perhaps best-known for his disturbing physical performances which pushed his body to extremes. But his work as an artist over four decades has embraced sculpture and installation, films and fictions, large-scale participatory projects and, most recently, the Web. Illustrated with archive footage and photographs, this profile of the artist explores his understandings of collaboration and community, of politics and the market, of humour and failure. At the centre of his diverse work are the essential qualities of what it means to be human.
Karl Weschke‘s impressive, complex paintings picture the human figure and the landscape, the everyday and the mythical. His subjects include dogs and drowned bodies, creatures from legends and, increasingly in recent years, the monumental ruins of ancient Egypt. For more than fifty years, he has explored the possibilities of painting and its relevance to an uncertain world. Produced alongside a retrospective at Tate St Ives, with additional paintings from British collections, this film profiles the artist in the Cornwall that has been his home since 1955. Filmed in and around his studio and in the coastal landscape that informs all of his work, Weschke speaks engagingly about his rich, remarkable life and about many of his most significant canvases. Like his work, the painter is serious, intense, spare – and yet also with an appealing streak of mischief.
Science and Surrealism, ancient myths, Buddhism and feminism are among the frameworks of ideas important to Liliane Lijn’s art. In Paris at the end of the 1950s, in Greece and New York, and in England since 1966, she has worked with light, energy and movement, with archetypal shapes and unconventional materials to produce an art that is clear, complex and strikingly beautiful. Many of Liliane Lijn’s key drawings and sculptures are featured in this profile, which was filmed alongside an important reassessment of her work at the Mead Gallery. The Poem Machines and Koans of the 1960s and 1970s are considered as well as the ambitious “goddess” figures of more recent years.
Lisa Milroy’s paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist.