Sky Burial follows the ritual of "jha-tor", the giving of alms to birds in a northern Tibetan monastery - where the bodies of the dead are offered to the vultures as a final act of kindness to living beings. At the Drigung Monastery lamas chant to call the consciousness from the body. Juniper incense is burned to summon the vultures. Special body breakers, or "rogyapas", unwrap the bodies and cut away the flesh. The bones are crushed and mixed with tsampa, roasted barley flour. The entire body is consumed by the birds, assuring the ascent of the soul. The sky, or the universe, is where the sacred world lies. To merge with the sky after death is a holy event, one that replaces the sufferings of this world with peace.
Viracocha features mestizos and campesinos in the Andean highlands interacting within a near-subsistance economic system. Market days and fiestas provide opportunities for Spanish-speaking mestizos, alternately benign and abusive, to assert their traditional social dominance over the Aymara and Quechua campesinos.
This documentary about the early Indians of the Great Basin emphasizes the traditional culture of the last 5,000 years. The story unfolds through the words and skills of the older Piaute women of southeastern Oregon and northern Nevada. They tell us how they make cakes from berries, baskets from tulles, cord for nets…necessary daily tasks linked with an ancient heritage. The earth is ever present in the film, wildlife, rivers and marshes, sagebrush desert, all part of the story. The lifeways of the Northern Paiutes are followed through a seasonal cycle, from root-gathering in spring to building shelter in winter.
The Hamat'sa (or "Cannibal Dance") is the most important-and highly represented-ceremony of the Kwakwaka'wakw (Kwakiutl) people of British Columbia. This film traces the history of anthropological depictions of the dance and, through the return of archival materials to a First Nations community, presents some of the ways in which diverse attitudes toward this history inform current performances of the Hamat'sa. With a secondary focus on the filmmaker's fieldwork experience, the film also attends specifically to the ethics of ethnographic representation and to the renegotiation of relationships between anthropologists and their research partners.
In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.
Banned in Cameroon, The Big Banana illustrates the poor working conditions in banana plantations and exposes the adverse impact on the people of a corporatocracy government that affords super profits for corporations at the expense of the local population. The Big Banana outlines land grabbing tactics by company Plantation du Haut Penja (PHP) and the ensuing devastation for communities: poverty, pollution, and sickness from pesticides. Bieleu, who spent two years filming residents in the remote countryside of Cameroon also features local cooperatives resisting the devastation through business alliances with fair trade organizations.
On September 11, 2001, 4 year-old Brook Peters was attending his second day of kindergarten a few blocks from the World Trade Center in New York City when two planes struck the Twin Towers. Completed when he was 14, The Second Day provides a unique and hopeful perspective on 9/11 through the eyes of young people and educators who lived through it.
Diana's last Christmas as the wife of the future King and their last Christmas together as a family. A not so festive season, dogged by tension and family arguments, a catalyst for the Queen's most disastrous and unfortunate year yet.
For centuries, humans have sought to express beauty in architecture and art, but it is only recently that neuroscience is helping to determine how and why beauty plays an important role in our wellbeing. Architects and neuroscientists are embarking on a new field of study in which subliminal responses to one’s built environment may influence the future of design. Experts argue that positive subliminal reactions lead to a pleasurable experience, one reminiscent of a powerful meditation session. The question remains: what makes a building beautiful - or more specifically, which elements of the built environment does the brain recognize as beautiful? Narrated by Martha Stewart.
A portrait of the Mbyá-Guarani people living in Misiones, a subtropical province in Northeast Argentina. The people demonstrate everyday life existing on a geographical as well as a cultural border.
The eight ladies in this film come from Alyawarr Country in the Sandover River region in central Australia, about 250km north of Alice Springs. The filmmakers joined them on a five-day journey into the bush to hunt echidna and gather bush foods such as the bush potato. As they hunt and gather, and as they sit around their campfire at night preparing the food, they talk about the old days and how life has changed.
This program looks at a bilingual education program in the Northern Territory, where children are taught in English and Aboriginal languages. As there are many different Aboriginal languages, subjects are taught in a language appropriate to the subject matter. The aim of the program is to help Aboriginal children to see their language and culture as something worthwhile and so nurture their self-confidence and self-respect.
Sittwe is about two teenagers separated by conflict and segregation in Burma's Rakhine state, Phyu Phyu Than, a Rohingya girl and Aung San Myint, a Buddhist boy. Both youth saw their homes burned down during communal violence in 2012. Phyu Phyu Than is confined in an apartheid-style camp and has no chance to go to school or travel to her home just a few miles away. Aung San Myint's family struggles to survive and support his high school studies to fulfill his dream to go to medical school. Interviews filmed over two years with the teenagers reveal their ideas about each other's communities and the hope of reconciliation.
Director Bernd Sahling documents almost four years in the life of a young man who experienced two political systems, East and West Germany, and cannot fulfill his dreams in either of them.
This film tells a shocking and brutal story that has been kept a secret in Poland for over 60 years. It tells the story of a pogrom in 1941 in Jedwabne, Poland and explores the implications of the past for present constructions and negotiations of personal, national and religious identity.
RODEO ROAD explores the unique cowboy culture of Australia's remote north west in the pursuit of the rodeo dream - eight seconds of bull riding glory. Each year cowboys from across the Kimberley load up their saddles, chaps and wranglers and go rough-riding. Some are born and bred in the saddle, while others are young ringers from over east who come to muster through the dry season. Come rodeo time they are chasing the dream, gripped by the rodeo fever of the wild north west.
Agnes Martin is one of the most important artists of the twentieth century. Before she died in 2004 at the age of 92, her paintings sold for millions of dollars and were displayed in the world's greatest museums. Through interviews with her friends, lovers, and classmates who knew her well, insight is gained into Agnes Martin's personality and the development of her creative process before she became known for her grid paintings.