The Blooms of Banjeli documents research in Banjeli, Togo on iron-smelting technology, its rituals, and the sexual prohibitions surrounding it. Including rare historical footage from the same village in 1914, it provides a unique technological record of the traditional method of preparing a furnace to smelt iron. This documentary offers an interesting approach to our understanding of the relationship between conceptions of gender and technology in traditional African society. The people of Banjeli liken the furnace to a woman's body, which is 'impregnated' by the smelter. The process of smelting is compared to that of giving birth, the furnace being the womb and the iron bloom, the newborn.
In the early 1970s, a theatre collective - the Australian Performing Group - based itself in a building called the Pram Factory, now synonymous with the people and events that laid the groundwork for a renaissance in Australian culture. The Pram was a ‘scene’, a 24-hour happening, a radical alternative to the mainstream. Those who lived and worked at the Pram expected the world to come to them - and for a while it did. (The building was eventually demolished to make way for a supermarket.)
On 20 October 1973, the Sydney Opera House was officially opened by Queen Elizabeth II. From conception to completion, it had taken more than 15 years and over $100 million dollars. In the years since its completion, the Sydney Opera House has become one of the most identifiable of Australia’s icons - ranking with the Sydney Harbour Bridge, Uluru, the koala and kangaroo - and is considered by many to be among the world's great architectural masterpieces.
Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.
The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.
This is the true story of Malcolm Charles Smith who, like many Aboriginal people, was taken from his family as a child and died a shocking and early death after a life of institutionalisation and deprivation. In this documentary Richard Frankland, who helped investigate his death for the Royal Commission into Aboriginal Deaths in Custody, revisits Smith's friends and family who tell the story of Malcolm's life and death.
Exploring the relationship between Aboriginal people and their land (including the Dreaming, sacred places), this film was inspired by Silas Roberts’ submission to the 1976 Australian Government inquiry on uranium mining - the Ranger Uranium Environmental Inquiry. Silas, whose tribal name is Ngourladi, is an elder of the Allawa clan and was the first chairman of the Northern Land Council, established to assist Aboriginal people make land rights claims based on traditional ownership. The film, which moves from Arnhem Land in the north to Yuendumu in the centre, examines the importance of maintaining Aboriginal culture and laws and explains the reasons why they object to the mining being carried out.
This documentary looks at the life and work of Iranian artist Monir Shahroudy Farmanfarmaian, who first garnered attention in the 1970s when she pioneered contemporary forms of geometric mirror works. Monir created an artistic language that was informed by traditional Iranian craft and architecture; formative years spent in New York in the 1940s and 50s and ongoing conversations with some of the 20th century's most experimental artists were also part of Monir's artistic universe. The film takes an intimate look at the artist's life and her practice, and explores how she has become one of the most innovative and influential artists working in the Middle East today. From her method of constructing mirror mosaics, to uncovering her past following the political changes in her own country and her subsequent migration to New York, and an artistic renewal sparked by her return to Tehran after an absence of 25 years, it offers an inspiring chronicle of Monir at the peak of her career.
The line between sexual consent and sexual coercion is not always as clear as it seems -- and according to Harry Brod, this is exactly why we should approach our sexual interactions with great care. Brod, a professor of philosophy and leader in the pro-feminist men's movement, offers a unique take on the problem of sexual assault, one that complicates the issue even as it clarifies the bottom-line principle that consent must always be explicitly granted, never simply assumed. In a nonthreatening, non-hectoring discussion that ranges from the meanings of "yes" and "no" to the indeterminacy of silence to the way alcohol affects our ethical responsibilities, Brod challenges young people to envision a model of sexual interaction that is most erotic precisely when it is most thoughtful and empathetic.
What happens when you bring gender training to an elementary school? In Creating Gender Inclusive Schools the Peralta Elementary School in Oakland, CA demonstrates the power of an open and honest conversation about gender.
In his 1992 documentary "Compassion in Exile", filmmaker Mickey Lemle created a groundbreaking portrait of the 14th Dalai Lama. His new film takes a fresh look at what is important for His Holiness, who is now in his 80s: the historic confrontation between Tibet and China; his influence in political, spiritual and educational spheres; his work with neuroscientists; and his personal feelings on aging, dying and whether he will be the last Dalai Lama. His impact on the West has grown over the 25 years since the earlier film, and we see some of his influence at work in classes and scientific studies. Artfully weaving interviews and accounts from family, friends and people he inspired, this film vibrantly conveys the Dalai Lama’s humor, wisdom and compassion
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived."
Everyone knows the story of Paul Revere and his famous midnight ride to warn colonial forces of the British approach. But history books don't tell of the man who sent Revere on his mission: Joseph Warren, America's least remembered founding father. Uncover the forgotten history of Warren and stories of other unsung heroes in our fight for independence in The American Revolution.
As a boy, Dawa was an illiterate Tibetan nomad whose life revolved around herding yaks. At 13, his life changed: through a series of visions, Dawa acquired the gift of telling the epic story of Tibet’s King Gesar. Now, at 35, Dawa receives a salary from the government as a guardian of national cultural heritage and is regarded as a holy man by his community. When an earthquake reduces his hometown to rubble, redevelopment of the region takes a giant leap forward. In the midst of such seismic shifts, Dawa seeks healing from King Gesar and other divine protectors of the land.
There never was a star quite like her. Adored by adults and children alike, at four she already led at the box office — ahead of Gable and Cooper. Her films saved a movie studio from bankruptcy, and a President credited her with raising the morale of Depression-weary Americans. Her earliest movies gave a foretaste of her talents and soon would become the songs and dances that helped make those movies immortal.
A film about a 93-year-old creative wonder who skips and jumps in his heart like a child. He served in a World War II all-Black battalion and experienced the racism of a separatist Army and the carnage of D-Day. As a result he dedicated his life to creating beauty and joy, spreading love and awe through his art. He's a poet/illustrator of over 50 children's books, makes magical puppets and sea glass windows from found objects inspired by his African heritage.
From the well-publicized events at San Francisco State in 1968 to the image of black students with guns emerging from the takeover of the student union at Cornell University in April, 1969, the struggle for a more relevant and meaningful education, including demands for black and ethnic studies programs, became a clarion call across the country in the late 1960's. Through the stories of these young men and women who were at the forefront of these efforts, Agents of Change examines the untold story of the racial conditions on college campuses and in the country that led to these protests. Agents of Change links the past to the present and the present to the past--making it not just a movie but a movement.