American documentary film-maker George C. Stoney visits the Aran Islands to try and unravel some of the myths surrounding a film that had engrossed him as a youngster - Robert Flaherty's famous documentary "Man of Aran" released in 1934.
Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
A Ukrainian couple become refugees during and after World War Two, and they end up as Displaced Persons (DPs) in a camp in Germany, before they are eventually accepted for resettlement in Australia.
What is the secret origin of this self-proclaimed 'real-life warrior, adventurer and musician'? How has he gained his tremendous cult following? Steel yourselves for a quest to explore how this enigmatic personality came to be and the powerful effect he has on all those he meets.
One of the few surviving documentaries about Jewish life in Poland before World War II, this film was produced to raise funds for the Vladimir Medem Sanitarium, an institution that stood as the embodiment of health and enlightenment, in striking contrast to the grim images of urban Polish-Jewish poverty.
Throughout history, the perception of nurses has ranged from wise women to witches, sots to ministering angels, handmaidens to battleaxes. The professional role of the nurse has changed dramatically. Originally the nurse held an independent, curative position in healing the sick. Most of this responsibility has since been lost. In its place, a profession has developed which, while demanding altruism and dedication, is locked into a supportive and secondary role to that of the medical profession.
Exploring individual responses to rapid social change, Cowboy and Maria in town follows the parallel lives of its two central characters. Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.
On August 19, 2005 Roy Koch, along with 4,400 airline mechanics, custodians, and cleaners, went on strike against Northwest Airlines, the fourth largest airline in the world. Northwest, otherwise known as “The Red Tail” by its employees, wanted to lay off 53% of their union and outsource their jobs. What followed was a 444-day strike that would end with 4,000 union members out of work, including Roy.
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.
Documentary - Filmmaker Olympia Stone presents a cinematic portrait of her father, famed New York City gallery owner and art collector Allan Stone, in this fascinating documentary tracing his rise in the international art world from the 1950s to 2006. Regarded as a pioneering collector, Allan Stone was considered an expert on the work of Abstract Expressionists, particularly Willem de Kooning, Arshile Gorky, Barnett Newman and Franz Kline. -
This documentary follows an Ethical and Environmental expert from Nokia as she travels to China to inspect the facilities under contract to her company.
A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
Deep Hearts is a film about the Bororo Fulani, a nomadic society located in central Niger Republic and the title is a reference to an important aspect of these people’s thought and demeanor.
The changing face of Red Hook -- a one-of-a-kind neighborhood in Brooklyn, N.Y. -- is the subject of this rich examination of city living by filmmaker D.W. Young. The documentary peeks in on an urban farm run by local kids; an uphill struggle to save a portion of the waterfront; the infamous arrival of an IKEA store; and more. The film was an official selection at the 2008 San Francisco International Documentary Film Festival.
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.