Despite an initial outburst of patriotism, Daffy is terrified to learn that "the little man from the Draft Board" has a letter for him, and tries his best to hide.
Mickey heads over to see Minnie, but Pluto won't leave him alone. He gets there and watches through the window, standing on Pluto, while Minnie plays piano. Pluto runs off to chase a cat and leaves Mickey stuck in the window. Minnie has him in, and he dances to her playing. Pluto chases the cat into the house and causes havoc. The chase leads into the piano, where Pluto picks up the player-piano roll as an extended tail, and the destruction continues.
Nobita requests of Doraemon the Moshimo-box and wishes for the world to become a place where the use of magic is possible. Witchcraft replaces science and technology and everyone makes use of it on their daily lives, except for Nobita, who, like usual, isn't very good at conjuring spells. Frustrated, he plans on returning things to their past state, but his mother threw the Moshimo-box away.
It's bath day for Pluto; we open with him already being scrubbed. He gets out, and his tug of war with Mickey and the towel lands Mickey in the tub. The soap jumps out, and Pluto swallows it, hic-cupping soap bubbles as Mickey chases him. Pluto gets out, and the people on the street think Pluto is rabid and start hiding and throwing things at him. Dogcatcher Pete comes along, and prepares to shoot Pluto. Mickey catches up to him just in time. He tries pleading, then fighting, but they get away when Mickey throws a kitten into Pete's pants. In the ensuing chase, a fruit cart provides more diversions, and ultimately they manage to crash Pete into his own truck.
Mickey plays piano in the Klondike Bar. He rescues a depressed, half-frozen Minnie. Pegleg Pierre comes storming in and steals her away, after a gun battle. A dogsled chase follows, with Pluto pulling Mickey's sled. There's a battle at Pete's cabin that features a sequence with Pete and Mickey wearing bedsprings and bouncing. Meanwhile, Pluto, chasing a rabbit, makes a giant snowball that sends the cabin downhill and eventually traps Pete.
Cinderella, the "ash girl," is kept in menial labor by her two wicked stepsisters. Meanwhile the handsome prince of the territory is out hunting bears. His father invites everyone in the country to a ball, and a fairy godmother appears to help Cinderella attend in style. The prince falls for her, but she runs away as her fairy godmother's deadline of midnight arrives. The prince finds her lost slipper and searches the territory for its rightful owner, hoping to live happily ever after when he finds her.
An ant works to prepare for winter while a drunken grasshopper plays his violin and dances away his time. When the snow arrives, the grasshopper pleads with the ant for shelter and is turned away to die.
This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.
Nobita, Gian, Shizuka, and Suneo is preparing for a school play on the "Journey to the West". As they are arguing about who should play the role of the monkey king, Nobita suggested that the real monkey king should play the role. Because the monkey king is only a legend, Nobita and Doraemon have decided to go back in time using the time machine and make a fake one and show Gian, Shizuka, and Suneo to prove that they are right. Unfortunately, Doraemon's machine allowed the fictional monsters to come to the real world and defeated the entire human races, thus turning the future (Nobita's time) into a demon-ruled world. In order to reverse the change, Doraemon and gang needed to return to the past and capture the demons back into the machine. On the way, they have met the real monk and rinrei (a child). At the end, they have either returned the demons back to the machine or destroy them with Dorami's help, thus turning the future back to normal.
Poor Ivan Olsen is plagued by problems bullied at school and constantly pursued by a gang whose greatest pleasure is filling his pants with water. And when Ivan gets home, his dad doesn't have much sympathy for him either because he is crazy about Tarzan and fails to appreciate Ivan's finer qualities. But one day Ivan gets the chance to live up all of his dad's expectations and give the bullies at school a lesson they will never forget. The big question is whether having superpowers makes life any easier?
The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator…
Last Day of the Dinosaurs is a 2010 Discovery Channel television documentary about the extinction of the dinosaurs. It portrays the Alvarez hypothesis as the cause of extinction.