At a used car lot, Mr. Magoo is intent on buying a car for his nephew Waldo. He is slick talked into buying an old clunker thanks to a shifty salesman but he drives it off anyway. Unfortunately, the myopic Magoo drives off a pier and under the ocean where he mistakes the various aquatic surroundings such as fish, sunken boats, and seals for other cars, dilapidated mansions, and a horn happy driver respectively.
Sylvester Cat must catch mice or lose his happy home. When he can't find a mouse inside, he searches out of doors and comes upon one meek, little mouse who agrees under duress to be Sylvester's one rodent to catch and rough up again and again in front of his masters. But it isn't long before the mouse realizes Sylvester needs him alive and decides to stop being Sylvester's stooge.
Sylvester Cat chases Tweety Bird into busy city streets as he himself is being chased by a bulldog. All three are in an accident and taken to an animal hospital, each with a broken leg.
Tom watches and studies films of some of his earlier encounters with Jerry, much like game films; he runs them backwards and stops them so he can study them more closely, all the while scribbling notes. Jerry pulls up a box of popcorn and watches, too. Tom notices Jerry and chases him into his hole. Tom designs a better mousetrap, but Jerry alters the plans, so it doesn't work any better than it did the first time the footage was used, in Designs on Jerry (1955).
An aging, skateboarding veterinarian Sir Billi goes above and beyond the call of duty fighting villainous policemen and powerful lairds in a battle to save an illegal fugitive - Bessie Boo the beaver!
Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld who specializes in sly, cowardly mischief. When war comes to the island, Tõll arrives to aid his dying army, but the devil takes advantage of his absence to wreak havoc on Tõll's home.
Tom chases Jerry into a fish cannery; they get sealed into cans. Tom breaks out, but falls off a pier as the cans roll under him. A shark chases him out of the water; Tom drops an anchor on the shark. Meanwhile, Jerry has been hopping in his can; Tom opens it, and puts his finger in, which Jerry bites. Jerry tricks Tom into falling off the end of another pier, and right into the shark's path again. The shark manages to get Tom into a very precarious position, barely holding the jaws apart. Jerry takes pity, and dumps a shaker full of pepper into the shark, which ends up on the processing line and stuffed into a huge can. Tom is unrepentant, so Jerry tricks him with a fake shark fin.
A craftsman builds a glass harmonica that enlightens him. He travels to a town where the people are obsessed with money. A bureaucrat smashes the glass harmonica which leads to chaos and eventually to social reform.
The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.
A dog decides to quit the slapstick comedy of cartoons and go to his country home to concentrate on Shakespeare, but two troublesome yet polite gophers foil his grand plans.
There is a legend in Japan that if one eats the flesh of a mermaid, one will become immortal. This anime recounts the story of Yuhta and Mana, an immortal boy and girl, and their experiences with a family struggling to achieve immortality at any cost.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."
A prototype of modern music videos, this is an animated film set to the music of two popular tunes recorded by Herb Alpert and his Latin-flavored brass ensemble - "Spanish Flea" and "Tijuana Taxi". Preserved by the Academy Film Archive in 2003.