Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of his/her own memories and a sense of understanding. S/he travels from the Planet of White Dust where war is constant, to the Planet of Blood and Swelling, a hybrid of his/her father’s body.
Curious little penguin Pororo and his friends accidentally cause an airplane to make an emergency landing in their home of Pororo Village. On the airplane are some turtles being shipped to Northpia to deliver ice sleds, or racing ice cars. Nevertheless, Pororo and his friends believe that the turtles are racers, and the turtles end up giving the gang at Pororo Village some lessons and passing on the championship spirit. In the end, Pororo and his friends follow the turtles to Northpia to participate in the race. Upon arriving at icily beautiful Northpia's race, Pororo and his friends wind up unlikely front-runners, ahead of the polar bears, and make it to the finals. However, a more complicated course awaits Pororo and his friends- as does their strongest adversary yet.
Two thousand years into the future, the battlefleet from Earth is still searching for the Planet Zog. Those on board are irreconcilably divided between those that believe the Planet Zog exists, and those that don't. Caught between these warring factions Ade and Eva Hokum are determined to find happiness with each other. Will the Planet Zog be a paradise for them?
Cee, a young pregnant woman, finds herself on a damaged train slowly transcribing its way across a bleak, apocalyptic landscape. Flood, war, starvation, and a plague of death threaten the train's passengers. Cee struggles through these dangers while coping with the memory of her lost husband and the imminent birth of her child.
The story of Cinderella is modernised. Cinderella dreams of clouds and ends up fleeing by plane with her Prince Charming. The image is animated simultaneously at various speeds (decor, moving elements, characters) in connection with the sound tape played by Georges Schwizgebel on the piano. It is an intelligent variation on a well-known story with which the viewer can identify
Donald is visiting South America, where he is first overcome by altitude sickness. He spends some time in the picturesque market. Then he takes a llama up into the mountains, with exciting results.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
The Inhumans have always been one of Marvel’s most enduring oddities. A race of genetic freaks, they live secluded in their island kingdom of Attilan, preferring not to mix with the outside world. Even stranger, their genetic mutations are self-endowed; each Inhuman, as a coming-of-age ritual, endures exposure to the Terrigan Mists, a strange substance that imparts unearthly powers, some extraordinary, some monstrous. But now the kingdom of Attilan is under attack from without and within. Can the Royal Family, led by Black Bolt (who cannot speak for his voice carries the destructive power of an atom bomb) repel the foreign invaders who blast at their outer defense, as well as the internal threat of Black Bolt's brother, Maximus the Mad?
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
The film describes the suffering of a character who is renovating his house while being confronted with a monstrous bird which is terrorising and oppressing him. It should be read as a parable of the 1968 Soviet invasion of Czechoslovakia. The film was subject to severe criticism at the 1970 Oberhausen film festival in Germany in 1970, in particular from directors from South American communist countries.
Riding home atop a train, the Pichu Brothers suddenly find themselves knocked off and flying through the air! They hit a Wynaut on their way down, bringing all three of them to the forest where Pikachu, Totodile, and some more friends are playing in a waterfall and building a campfire. When it starts to rain, the group takes shelter in a water mill—but the water mill starts moving! The next morning, the whole group decides to work together to make sure the Pichu Brothers make their train. Will the two be able to make it home safe?
Animated film about two young boys, Bolek and Lolek, who seek to fulfill the last will of Phileas Fogg who decided that his inheritor would be the one who made an identical round the world journey as he had done, using the means of transport generally in use in the nineteenth century. As they journey round the world, a bad character named Jeremiah tries to foil their attempts.
An animated, dark satire of America's automobile-obsessed, consumerist culture. An anonymous, brilliant scientist toils tirelessly in his ivory tower satisfying the public's ever-increasing demands for novelty and status consciousness, with predictable environmental consequences.
This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive