Every year hundreds of people - mostly women - are attacked with acid in Pakistan. Follow several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.
Explores the challenges of converting to a vegan diet. It "follows three meat-and-cheese-loving New Yorkers who agree to adopt a vegan diet for six weeks.
In their second film compilation following their 'Boogeymen:The Killer Compilation' series, FlixMix takes you into the history of action movies from Hollywood to Hong Kong cinema that spans a 20-year period. This one features action scenes from 16 action-packed movies featuring action gurus, Jet Li, Michelle Yeoh, Chow Yun-Fat, Jackie Chan, Jean-Claude Van Damme and many more.
Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.
Apple. Intel. Genentech. Atari. Google. Cisco. Stratospheric successes with high stakes all around. Behind some of the world's most revolutionary companies are a handful of men who (through timing, foresight, a keen ability to size up other people, and a lot of luck) saw opportunity where others did not: these are the original venture capitalists. All were backing and building companies before the term 'venture capital' had been coined: companies that led to the birth of biotechnology and the spectacular growth in microprocessors, personal computers and the web. SOMETHING VENTURED uncovers the ups and downs of the building of some of the greatest companies of the twentieth century, and the hidden dramas behind some of the most famous names in business.
The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.
In The Beckoning Silence, Joe Simpson, whose amazing battle for survival featured in the multi-award winning "Touching the Void", travels to the treacherous North Face of the Eiger to tell the story of one of mountaineering's most epic tragedies. As a child, it was this story and that of one of the climbers in particular, that first captured Simpson's imagination and inspired him to take up mountaineering.
Throughout the 1980s, Miami, Florida, was at the center of a racial and cultural shift taking place throughout the country. Overwhelmed by riots and tensions, Miami was a city in flux, and the University of Miami football team served as a microcosm for this evolution. The image of the predominantly white university was forever changed when coach Howard Schnellenberger scoured some of the toughest ghettos in Florida to recruit mostly black players for his team. With a newly branded swagger, inspired and fueled by the quickly growing local Miami hip hop culture, these Hurricanes took on larger-than-life personalities and won four national titles between 1983 and 1991. Filmmaker Billy Corben, a Miami native and University of Miami alum, will tell the story of how these “Bad Boys” of football changed the attitude of the game they played, and how this serene campus was transformed into “The U.”
This riveting documentary depicts former Secretary of State Henry Kissinger as a warmonger responsible for military cover-ups in Vietnam, Cambodia and East Timor, as well as the assassination of a Chilean leader in 1970. Based on a book by journalist Christopher Hitchens, the film includes interviews with historians, political analysts and such journalists as New York Times writer William Safire, a former Nixon speechwriter.
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.
The Rise + Fall of ECW is a 2004 direct-to-video documentary produced by World Wrestling Entertainment. It chronicles the history of Philadelphia-based professional wrestling promotion Extreme Championship Wrestling.
The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.
Directed by Peter Bogdanovich and packed with rare concert footage and home movies, this documentary explores the history of Tom Petty and the Heartbreakers, including Petty's famous collaborations and notorious clashes with the record industry. Interviews with musical luminaries including Jackson Browne, George Harrison, Eddie Vedder, Roger McGuinn, Jeff Lynne, Dave Stewart and Petty himself shed some revelatory vision.
Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.