An anti-western propaganda film about the influences of American visual and consumption culture on the rest of the world, as told from a North Korean perspective.
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.
An espionage tale from inside the CIA's long conflict against Al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.
FrackNation is a feature documentary that aims to address what the filmmakers say is misinformation about the process of hydraulic fracturing, commonly called fracking.
A woman and a young girl each carry containers of bird feed, and they toss occasional handfuls to the chickens and doves in the farmyard. Most of the chickens stay nearby, but the doves occasionally fly off and then return to eat more.
In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.
A close-up look at sand urchins and rock urchins. At the seashore, a man digs up a sand urchin. We look closely. He sets it back in the sand, and it burrows out of sight. Its intestines take nutrients out of sand. Using magnification 200,000 times normal size, we see a rock urchin's spines with suckers on the end; a drawing illustrates how they work. A sea urchin walks toward a rock. We see three-fingered jaws—pedicellaria at the end of flexible stems—take in algae and other bits. We also see cilia less than 0.001 ml in length; their motion constant, creating whirlpools. On the shore again, we watch the setting sun. Occasional titles in French tell us what to watch for.
A cross-cut of nearly 100 years of American movies. We see the most precious film sequences that we all remember: From Citizen Kane to Star Wars, from Some Like It Hot to E.T. The incredible short cuts of roughly a second each push the audience into a kind of trance and take them on a journey into their individual memories of great films of the 20th century. The film won an Oscar for Best Live Action Short Film.
Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. The crystals appear to move like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.
Stunning espionage documentary on the US conspiracy that led to the 1964 Brazilian coup d'état. John F. Kennedy and Lyndon Johnson original White House tapes, and CIA Top Secret documents reveal how the US government planned to overthrow Brazilian elected president João Goulart.
David Blaine travels around America to perform tricks in the UK premiere of his show What Is Magic? He visits New Orleans where he carries out a money trick in front of locals, producing hundreds of dollars at their fingertips before stopping off at New York to conduct magic in front of Orlando Bloom. But the jewel in David's crown is his shot at the infamous The Bullet Catch; a trick which sees a 22 calibre bullet being fired at point blank range directly at the magician who then has to catch the bullet in a small metal cup in his mouth. The stunt is filmed using Phantom Camera technology which shoots 10,000 frames per second so that not a fraction of the action is missed.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
Beth Thomas is a six year old girl suffering from reactive attachment disorder as a result of being sexually abused as a child. This documentary consists of interviews with Beth, followed by her treatment and partial recovery at a special center for kids.
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.