50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.
Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
BURT'S BUZZ is an in-depth and personal look at the life of Burt Shavitz, known to millions around the world as the "Burt" of the Burt’s Bees natural product brand. The documentary explores what it means to be marketed as an icon, and how that life differs from the one of the man behind the logo.
Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.
China is the first country in the world to classify Internet addiction as a clinical disorder. Caught in the Net features a Beijing treatment center where Chinese teenagers are being "deprogrammed," and follows the story of three boys from the day they arrive at the center, to their three-month treatment period, and their long awaited return home. The film provides a microcosm of modern Chinese life and investigates one of the symptoms of the Internet age. It examines inter-generational pressures and the disregard of the human rights of minors who get caught in the net.
A woman in ballet slippers wearing a large white hat and a long white dress - with ruffles, puffy sleeves and petticoats - dances across water with roiling waves behind her. She holds the edges of the skirt with her hands, lifting and twirling, sometimes exposing her bloomers and a dark garter on one leg. Her style combines ballet with the exuberant kicks and twirls of a burlesque dance hall. With churning waves behind her, the water seems to wash beneath her feet. The film of the dancer, "M'lle. Cathrina Bartho" (1899), is superimposed on that of the water, "Upper Rapids, from Bridge" (1896).
In 1927, motivated by a longing for freedom, Fischinger set off on a walking trip from Munich to Berlin. Covering the distance in nearly four weeks, he captured the country’s hidden beauty. His voyage serves as a symbolical transition and underlines a belief that people are the same everywhere.
Born in 1944 in South Tyrol, Reinhold Messner was introduced to climbing peaks by his father as a child. He has since climbed the fourteen mountains of the world culminating at more than 8,000 meters, and notably has to his credit the first ascent of Everest alone and without oxygen in 1980. This portrait is made up of the story given by mountaineer of his journey as well as testimonies from his loved ones and traveling companions. The interviews are interspersed with reconstructed scenes and extracts from archive films recounting his exploits. But there is no question here of becoming hagiographic, because Messner also draws his strength from his failures. When he's not climbing or roaming the desert, this troublemaker devotes his energy to various causes. In his Juval castle, located in his native South Tyrol, he exhibits the equipment of his expeditions as well as various objects, notably Tibetan. He has also written around fifty works to date.
A documentary based on the honor, courage and commitment of Navy SEAL LT Michael P. Murphy, who gave his life for his men in 2005 and was posthumously awarded the Medal of Honor in 2007.
A stationary camera looks west across Niagara Falls from the United States' side (the Niagara River rushes toward the falls from right to left). Virtually overlooking the falls and surrounded by the swift current not far from the camera is a small island where six or eight tourists watch the water, talk, and move about.
“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, who hands him a telegram, which he reads with apparent satisfaction. The characteristic walk and gestures of Mr. McKinley will be noted with interest by his friends.” (AMB Picture Catalogue)
Dziga Vertov-directed Soviet newsreel covering: Hunger and harvest / Alliance between city and country / Agricultural and home industries exhibition: To the exhibition, construction work and preparations, exhibits, map of the exhibition, visitors
A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.
MTV Unplugged offered an unusual opportunity to showcase Katy Perry's work in an exposed, undercooked way and to reveal just how much of the real her had been part of that flashy presentation. Recorded in New York on July 22, 2009, Katy picked five cuts from One Of The Boys, an unreleased song, and a cover of 2003’s “Hackensack,” by Fountains Of Wayne, to perform in front of a small studio audience.