Alaska Silence & Solitude is the follow up to Alone in the Wilderness, filmed 20 years later. Bob Swerer and Bob Swerer Sr. visit Dick Proenneke at his famous cabin on Twin Lakes where the wildlife is still abundant and the scenery is spectacular.
The White Planet or in French, La Planète Blanche, is a 2006 documentary about the wildlife of the Arctic. It shows interactions between marine animals, birds and land animals, especially the polar bear, over a one year period. The fragility of the Arctic is hinted at as a reason to prevent climate change. It was nominated for the Documentary category in the 27th Genie Awards in 2007.
Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.
An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
Documentary about Fidel Castro, covering 40 years of Cuban Revolution. Rare Fidel Castro footage: he appears swimming with a bodyguard, visiting his childhood home and school, playing with his friend Nelson Mandela, meeting kid Elián Gonzalez, and celebrating his birthday with the Buena Vista Social Club group.
The team of smart-talkin' toddlers known as Everything Is Terrible! have once again emerged from their VHS cocoons to conjure a jam on culture so culture-jamtastic that we're sorry we can't be there to hold your hand as you watch in dazed amazement. Thousands of hours of brain-boiling footage have been concentrated into an impenetrable jewel of an experience, teach us once and for all that loving well is the best revenge.
This made-for-television documentary tells the story of the creation of the world's most successful musical, Andrew Lloyd Webber’s The Phantom of the Opera.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret army of President Jean-Bertrand Aristide. "Ghosts of Cité Soleil" is a film about Billy and Haitian 2pac. Two brothers. Gang Leaders of the Chiméres.
This controversial work, created and performed by Eve Ensler, debuted off-off-Broadway in 1996 and soon rode a wave of national acclaim. Now, the intimacy of Ensler's original show has been lovingly brought to the screen. Capturing her unique performance, the film also follows Ensler as she explores the creative impetus behind the monologues and conducts a series of new interviews as inspiring as those that brought about the original work
An unflinching look at the life and story of Mark Kerr between 1999 and 2001, an intelligent, articulate, and emotionally vulnerable athlete, considered by many at the time to be the most dominant ultimate fighter in the world. A former Olympic wrestler, Kerr easily dominated all his opponents, earning him the nickname "The Smashing Machine." With the promise of big money and the euphoria of his early victories, Kerr must battle his injuries and inner fears. The shock of these fights takes a heavy toll on his body and mind, and Kerr attempts to overcome these physical and psychological traumas by turning to painkillers. Kerr's addiction is shown in its raw form, with the camera capturing him desperately soliciting drugs from friends and staff, and injecting painkillers into his veins. His shocking defeat to Fujita in Japan shows us a story that is sometimes difficult and heartbreaking to watch.
A documentary about Traci Lords, one of the most popular American porn stars of the 1980s, who almost brought down the industry when it was discovered that she had been under 18 years old.
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
An instant classic when released in September 1971, John Lennon's Imagine was the ex-Beatle's solo masterpiece, and its musical legacy is matched here by priceless footage of Lennon's creative process, independently edited from original 16-millimeter footage by producer-director Andrew Solt with the hands-off approval of Lennon's widow, Yoko Ono. Incorporating footage from John and Yoko's original film Imagine (clips of which were previously included in the 1988 documentary Imagine: John Lennon), Gimme Some Truth presents Lennon, Ono, coproducer Phil Spector, and a host of gifted musicians in a fluid context of conflict, community, and craftsmanship. Bearing witness to every stage of the recording process, this 63-minute documentary succeeds as a visual diary, a study of familiar music in its infancy, and a revealing portrait of the then-30-year-old Lennon--from witty clown to confrontational perfectionist--at the peak of his post-Fab Four inspiration.