Artist and filmmaker Eric Baudelaire spent four years interacting with the pupils of a film class, at a secondary school in the Parisian suburb of Saint-Denis. Keeping himself on the sidelines, he gives way to the children to express their thoughts and dreams. Their remarks are intuitive, inquisitive, yet passionate and surprisingly mature, concerning rocky and complicated issues, ranging from racism, immigration, and identity, all the way to the possibilities of film as a medium. As time flows almost unnoticed, it is evident that these children have not only become the co-directors of this film but also the heroes of their own lives.
In the Philippines, women get deployed abroad to work as domestic workers or nannies. In one of the many training centers dedicated to domestic work, a group of trainees are getting ready to face both homesickness and the possible abuses lying ahead during a series of role-playing exercises.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called "Calavera", "Sandunga", "Maguey", "Fiesta", "Soldadera", and "Epilogue". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).
In 1935, German scientists dug for bones; in 1943, they murdered to get them. How the German scientific community supported Nazism, distorted history to legitimize a hideous system and was an accomplice to its unspeakable crimes. The story of the Ahnenerbe, a sinister organization created to rewrite the obscure origins of a nation.
The band’s acclaimed 29-song, 135-minute anniversary concert. Filmed in one of London’s Royal Parks to a crowd of 65,000 fans, The Cure presented a four-decade deep set on July 7, 2018. Adding to the experience, the band is back-dropped by giant screens displaying footage that complements the unique moods and emotive song writing that established The Cure as pioneers of alternative rock.
Always Amazing is the story of The Amazing Johnathan’s storied career as a comedian/magician, the unlikely friendship that was cemented after meeting a 12-year-old boy while on tour in Australia and the unfortunate terminal diagnosis that brought them back together for one last run of shows.
A Feature Documentary, featuring David Icke The 'mad man' who has been proved right again and again and again. David Icke has been warning for nearly 30 years of a coming global Orwellian state in which a tiny few would enslave humanity through control of finance, government, media and a military-police Gestapo overseeing 24/7 surveillance of a micro-chipped population. They called him 'crazy', 'insane', a 'lunatic', and he was subjected to decades of ridicule, dismissal and abuse. Oh, but how things change. Today his books are read all over the world and his speaking events are watched by thousands on every continent. Why? Because what he has been so derided for saying is now happening in world events and even mainstream scientists are concluding that reality is indeed a simulation. Almost every day something that David Icke said long ago is supported by happenings and evidence. As Mahatma Gandhi said: 'First they ignore you, then they laugh at you, then they fight you, then you win.
The film is about the formation of a music channel that has shaped modern pop culture. On August 1, 1981, the life of a whole generation of Americans changed forever - on this day MTV began its broadcasting day, making VJ a new teen hero and creating a canon of music video as a vivid artistic statement.
Transgender high school athletes from across the country compete at the top of their fields, while also challenging the boundaries and perceptions of fairness and discrimination.
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
A colourful, upbeat tale from Vollsmose about the resourceful and funky hairdresser Qasim, who instils dignity, inspiration and hope in young people through something we can all relate to – a cool haircut!
Generating over a billion dollars a year, the pickup industry is shocking, secretive and—to put it politely—scummy. Built upon myths and manipulation, expensive workshops and training videos push an agenda that women are biologically attracted to alpha males. If men can learn techniques to overcome their shyness and become socially dominant, they'll be 21st-century Casanovas. At least, that's what the brochure says. Ross Jeffries's 1992 self-published book How to Get the Women You Desire into Bed inspired a generation of macho men to push their techniques with aggressive online marketing. With insider access to the movement's founders and current leaders, this riveting exposé dismantles the "date and mate" methods hustled by modern snake-oil salesmen. From chat rooms to conference halls, these self-help-styled seminars are poised to take advantage of anyone desperate enough to fall for their dangerous promises.
Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?
Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.