Teenage Babylon presents the aftermath of three teenage suicides through the medium of what purports to be 1960s vintage black and white police file footage. The film's haunting images, evoking teenage love gone wrong, are counterpointed by a series of saccharine torch songs, celebrating falling in love and the end of a masquerade. Through a kind of bathetic synthesis, the dialectic of Eros and Thanatos, love and death, is consummated in the 'morgue' of the forensic archive.
Superstar Alexander Marcus is on top of the world, worshipped by his fans. Wherever he and his companion Globi show up, there's excitement. Nobody knows that Alexander has become addicted to the dangerous drug egoin, thanks to his evil new manager. After a high dosis and bad trip, his career is destroyed, Globi vanished, and Alexander hospitalized in a psychiatric hospital...
Theodora, Jody and Carol, collectively The Violas, are on tour when their van breaks down in a small southern beach town. The local police are investigating a mass of mysterious debris on the beach and the disappearance of a little girl's parents after she's found walking the beach in a state of shock. Scientist John Patterson is called in to help investigate. Both John and local mechanic Hector Garcia fall for Violas lead singer Theodora, but she seems to have no interest in them, possibly because of a mysterious past. Hector convinces the girls to stay in town when he offers to repair their van in exchange for playing his party, but the mysterious creature is still on the loose.
Ayu and Malik, two siblings are going through their darkest moments of lives when their beloved mother just died. Malik feels so depressed believing that he was the main cause of his mother's death. During one of the evenings after a fight with his sister, Malik left to take a stroll in the forest. On and on he went until he realised he was lost and the next very moment, he appeared in another dimension called Magika.
Pedro is a famous singer who fall in love with a psychiatrist girlfriend, he decides to attend to the doctor with the story that he does not like women. The psychiatric nurse helps him with the girl as she is in love with the doctor.
Neil Finn brings together some of his musician friends from around the globe for an awesome series of concerts at the St. James theatre in Auckland, New Zealand. Includes performances with Johnny Marr, Eddie Vedder and Radiohead's Ed O'brien and Philip Selway. Along with kiwi artists Tim Finn and Betchadupa.
GISELLE is acclaimed director Toa Fraser's interpretation of the Royal New Zealand Ballet's production of Giselle. The classic story of love, erotism and death has been reinterpreted by Fraser to include both the on stage performance of the ballet, and an off-stage romance – interwoven with the ballet – that tells of two itinerant dancers, separated by time, distance and their abiding love for each other.
Documentary reminiscence of the late jazz bandleader Duke Ellington. Shot in 1968, this footage includes the previously unreleased "Mexican Suite" plus all the Ellington classics including "Satin Doll," "Mood Indigo," "Black and Tan Fantasy," and "Take the A Train" plus interviews with band members, film sequences which featured Ellington and his band and other exclusive footage.
While the studio recordings of Chicago's Jesus Lizard are part of the canon of 90s indie rock, anyone who saw them knows their reputation as the live band of that era is completely accurate. This film captures the original quartet in 1994 playing to a packed and frenzied crowd at the Venus de Milo in Boston. The band's workman like approach to their taunt, pummeling sound is contrasted by front man David Yow's Dionysian revelry as he whips himself and the crowd into an ecstatic mess. This 2-camera shoot catches all the blood, spit and sweat of a truly killer live band at their peak.
An anthology of three filmed ballets, two written for the film and the third an abridgment of Tchaikovsky's "Swan Lake". It was entered into the 1954 Cannes Film Festival. Filmed in color.
Joe Lane, radio entertainer and songwriter, learns that the manager of the studio, Arthur Phillips, has made improper advances to his wife, Katherine. Infuriated, Lane engages him in a fight, and the encounter results in Phillips' accidental death. Joe goes to prison for a few years, and when he is released he visits his son, Little Pal, at school and is begged by him to run away together.
Az Életbe táncoltatott leány is a 1964 Hungarian film directed by Tamás Banovich. It was entered into the 1965 Cannes Film Festival where it won a Technical Prize