This animated short by Norman McLaren serves as a wartime savings campaign. Symbolic figures, drawn directly on 35mm film stock, move and dance against a simple painted background. The score is "Pinetop's Boogie Woogie," by Albert Ammons.
When allied troops liberate a small battle-scarred Belgium town in 1944 the American and British commanders do all they can to help the war-weary people back on their feet. There are mental and physical wounds to heal, fields to plough, the church to rebuild. But a top Nazi, knowing the War is lost, has infiltrated the town and is fostering dissent and disunity.
Two Vietnam vets with nothing to lose are called back into the bloodiest action of their lives. Their assignment: locate and destroy a terrorist base and bring back a General's daughter alive.
A newly married WREN, presumed drowned when her ship is torpedoed, spends three years on a tropical island before returning to England to find her husband remarried with a baby son.
A poor family in Florida saves all the money they can in order to plan something special for the soldier they've invited to Sunday dinner. They don't realize that their request to invite the soldier never got mailed. On the day of the scheduled dinner, another soldier is brought to their home and love soon blossoms between him and Tessa, the young woman who runs the home.
This film was shot entirely at the Gettysburg National Military Park, where the decisive battle of the American Civil War was fought. Leslie Nielsen narrates the story while contemporary songs and the sounds of battle are heard in the background. The sites of the various engagements, the statues of the leaders of the Northern and Southern troops, and the battlefield cemetery are featured. President Abraham Lincoln's Gettysburg Address is read at the end.
The film, produced by Filoteo Alberini and released in 1909 is a short drama about a young boy who is killed during the Spedizione dei Mille, a military campaign led by revolutionary Giuseppe Garibaldi in 1860 to defeat the Kingdom of the Two Sicilies, an expedition aimed at unifying Italy. Both films were restored by the Centro Sperimentale di Cinematograf ia–Cineteca nazionale as part of a joint project between them and the Grand Orient of Italy to mark the bicentennial celebrations of the birth of Guiseppe Garibaldi.
Guilt and sexual jealousy are the main dynamics behind Skouen's gloomy and intense tale about Oddmund, a former Resistance leader who caused the death of 12 refugees during the war.
The drama of a young Slovak army officer who gradually realises the horrors of fascism during the fighting in Ukraine. On his return to Slovakia, he joins the SNP. However, he cannot overcome his loner attitude or his doubts about the meaning of partisan activity.
Sergeant Thomas Duncan takes his men behind enemy lines to recover a secret government fighter copter and its pilot, a secret weapon all his own. But once stationed in the dense jungle brush of Vietnam, their radio goes out all hope of contacting their home base is out, and it is up to Duncan and his men to get to the hook up point by the agreed time. A traitor in the home camp is sending messages to the enemy side; Duncan must hurry!
It is the year 2031, as the spores of the Flower of Life spread over the remains of the SDF-1 and SDF-2, the Invid land out of Hyperspace, on a head-on collision with the Earth. They crash on the spot, quickly turning it into their massive hive, later to be called Reflex Point. In a matter of moments, the Invid take control of the devastated planet.
The year is 1974, and Barbara Dean (Judi Dench), a British assistant manager in a foreign bank in Saigon, begins a relationship with American Bob Chesneau (Frederic Forrest). She quickly realises that he works for the CIA and he knows that the fall of South Vietnam is very near.
Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.