This film predominantly deals with the problems of a young man whom his delusions led into conflict with society. These issues will throw him into an adventure that would be tragic for him, but still helpful for him to see the truth. The story takes place in Kosovo in 1945, in an atmosphere of uncured wounds, wandering, betrayal, burned homes, typhoid and other postwar misery. An authentic story from those days was taken as the film's basis.
The western film that was filmed in Bavaria is located in the Montana Mountains. At the end of the 19th century, an Indian Boy called Tschetan meets the shepherd Alaska in the Montana Mountains. Alaska prevents him from being hanged as a cattle thief but from then on engages him as a deputy shepherd and forces him to do hard work. But when they have to fight against a powerful stock farmer together, they eventually become friends.
In the late 19th century, a gruesome power consumes the land and destroys a holy man's life. The preacher has to find his purpose in life to combat the walking dead.
Molly, the shy, romance-starved wife of an arrogant frontier sheriff, finds herself drawn to a prisoner in her husband's jail. This prisoner, a handsome young man named Johnny, plays on Molly's sympathy and convinces her to help him escape. Molly then accompanies Johnny on his cross-country flight but soon learns he's simply been using her. Molly makes the best of the situation, however, and by the time the sheriff's posse catches up with them, Molly shows that she's learned how to assert herself.
As the Cavalry tests the viability of bringing camels to US deserts, a surveyor, Arab drivers, and fugitive bank robbers confront Apaches and thirst. Originally filmed in 3-D
Billy the Kid and his pal Jeff help their friend Fuzzy Jones escape from jail, and the trio heads for Paradise Valley, where they find the Paradise Land Development Company, ran by Matt Brawley and Jack Saunders, is somewhat less than honest in their dealings with the homesteaders. They devise a plan to cause a split between Brawley and Saunders.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Two conmen, Alamo and Mike, find shelter in Paradise City, which is full of jokers like themselves, who assume them to be lawmen and are almost hanged.
A gang of bandits takes control of Tucson in preparation for the arrival of a consignment of gold, with only a band of voluntary soldiers trying to outwit them and save the town.
Mountie Matt O'Brien is assigned to escort Miss Owens to a remote outpost. But when he finds an illegal mining operation there that is smuggling gold across the border, his superior Sgt. Means orders him to leave.
An unusual film in that it was composed of new film footage tacked onto an original film produced by M. H. Hoffman Sr. and Jr.,and never released because of the collapse and merger of the Hoffman's Liberty Company into the newly-formed Republic operation in mid-1935, and consequently has two different sets of actors and production crew members.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.